Review of Robert Miraldi's "Seymour Hersh: Scoop Artist"tags: books, journalism, Seymour Hersh
Seymour Hersh: Scoop Artist
by Robert Miraldi
Potomac Books, 2013
It was only a poster at an antiwar rally -- in Belgium of all places -- yet Seymour Hersh was so taken by it that, laughing, he showed it to another reporter. The poster was simple and direct: “Protect Seymour Hersh, the last independent journalist in the USA.” Yes, the same Seymour Hersh, inquisitive, brash, all-business, 24/7 reporter who won a Pulitzer for his My Lai scoop.
But the “last independent journalist in the USA?” Well, not quite, because we still have Jane Mayer, Glenn Greenwald, James Rosen, Bob Woodward, Scott Shane, David Sanger, Dana Priest, Barton Gellman and a few others digging away. Even so, their job has become much harder given the post-9/11 environment, especially the Manning, Snowden and Wikileak disclosures and the U.S. Justice Department’s subsequent crackdown relying on the repulsive Espionage Act, that 1917 law designed to prosecute spies, not dissenters and journalists. It's become doubly difficult these days for investigative reporters. In the recent Committee to Protect Journalists study, Sanger, Shane and Priest told Leonard Downie, Jr. (he once ran the Washington Post and wrote the CPJ report) that longtime sources were now afraid to talk with them given what Sanger called “the most control-freak administration I’ve ever covered.”
All the more reason to celebrate the arrival of Robert Miraldi’s refreshingly readable and very impressive biography of Seymour Hersh, whose noteworthy and original reporting told us about the My Lai massacres, Henry Kissinger’s policymaking role, Israel’s nuclear arsenal, JFK, and torture in Abu Ghraib, among other “scoops.” All were controversial and challenged the elites who run our lives.
Hersh is still at it, brushing off condemnations that he is tendentious, liberal, radical, un-American. For example, after Hersh wrote that a small band of neoconservatives had captured foreign policy during Bush 2’s presidency and helped lead the country into Iraq, Max Boot denounced Hersh as “the journalistic equivalent of Oliver Stone, a hard left zealot who subscribes to the old counterculture conceit that a deep, dark conspiracy is running the U.S. government.” Not so, said Harrison Salisbury, who had broken plenty of significant stories in his lifetime. Hersh, he said, “has done more to uncover the lies of war and peace, to bring reality to the public, to shoulder the responsibilities of the First Amendment.”
In no way is Miraldi’s portrait hagiographic. Miraldi, who teaches journalism at New Paltz College, opens with the story of a Jewish kid from Chicago who, “Front Page”-style, went to work for the Chicago News Bureau, which fed local news to the many Chicago newspapers of that era. The trick for ambitious kids on its payroll was to get there first, the better to be recognized and hired elsewhere. From there he moved on to the Associated Press where he learned detail, form and the need to seriously cultivate sources who trusted him never to reveal their identity, especially in a place like Washington where leaking, as they say, is a cottage industry. While a devoted family man, he is on the job 24/7, constantly working the phones, in regular touch with sources high and low, interviewing, traveling, recording witnesses, and reporting rather than commenting op-ed style.
He won his Pulitzer for My Lai 4: A Report on the Massacre and Its Aftermath, and followed up with stories in the New York Times, the New Yorker and then a second book Cover-up: The Army’s Secret Investigation of the Massacre at My Lai 4. To find Lt. William Calley who had been hidden away, he roamed Fort Benning. Later, he flew to California to lunch with Ron Ridenhour, the heroic Vietnam veteran who learned about the massacre from eyewitnesses and then wrote dozens of letters to politicians that “something dark and bloody” had indeed occurred sometime in March 1968 in a village called Pinkville” -- the name used by the Army -- and called for an investigation. Ridenhour provided Hersh with the names and addresses of troops of the offending Charlie Company, 1st Battalion, 20th Infantry Regiment, 11th Brigade of the Americal Division, all eyewitnesses and some of them executioners.
Afterwards, Ridenhour wondered why no other reporter had ever approached him. Meanwhile, Hersh began publishing his findings about the Vietnamese hamlet in the miniscule Dispatch News Service -- which his friend David Obst had begun with borrowed money. When General William Westmoreland and a few senior officers heard what had happened they asked for a full-scale inquiry. General William Peers, hardly a member of the West Point “club” -- he was ROTC at UCLA and Westmoreland’s friend -- was named to lead the investigation. His critical conclusions were leaked to Hersh by a sympathetic source inside the Pentagon. In the end, Peers was denied a fourth star, perhaps because he had confirmed what Hersh had discovered.
Miraldi asks why Hersh chose to go beyond the early official accounts and take off after My Lai when there were plenty of other atrocities committed during the war. It was happening all the time, with slaughters committed by all sides. Even so, many Americans, furious with Hersh’s expose, rationalized that “war was war” and calamities were to be expected. But Captain Aubrey Daniel, the lead Army prosecutor at Calley’s trial, put it this way in his famous letter to Nixon protesting his easing of Calley’s sentence: “How shocking it is if so many people across the nation have failed to see the moral issue…that it is unlawful for an American soldier to summarily execute unarmed and unresisting men, women, children and babies.”
Hersh apparently believed My Lai represented the Vietnam War at its most grotesque. Much as he later did in reporting the torture of Iraqis in the U.S. military prison of Abu Ghraib, Hersh informed Americans that crimes were being committed in their name. Abu Ghraib may or may not have been an exception, as its defenders argued, but Miraldi explained Hersh’s view this way: “The blame for the torture at Abu Ghraib stemmed from the president and Rumsfeld. As Nixon did with My Lai, Hersh insisted top officials would try to pin it on a few low-level soldiers.”
In The Price of Power: Kissinger in the Nixon White House, Hersh condemned the powerful Henry Kissinger because be believed he had played a leading role in the ousting of the elected socialist Chilean president Salvador Allende, whose death and succession by General Augusto Pinochet soon led to thousands of murders and disappearances of dissenters and opponents. Tom Wicker of the Times objected to the U.S. role and asked, fairly if naively, “Who gave the United States the right to make such a judgment in opposition to a free Chile[an] election?” Yet the U. S. has always intervened in Central and South America on behalf of a wide range of dictatorial and brutal regimes. But in Hersh’s crusade against the influential Kissinger he did make one serious blunder, falsely blaming the U.S. ambassador to Chile Edward Korry for participating in the coup against the Allende government. It turned out that Korry had been frozen out by the White House and CIA. Cynics might rationalize, “You win some, you lose some” but while Hersh never uttered these words and did apologize to the Korry family, lamely explaining that he only learned the truth about Korry’s role after publication of his book, it caused great pain in the Korry family. A former journalist himself, Korry died in 2003, deeply hurt by the allegation.
Still, Hersh continued. Thirty-four years after JFK’s assassination Hersh produced The Dark Side of Camelot in which he wrote about a mythological Kennedy, his father, the problematical electoral victories in West Virginia against Hubert Humphrey and against Nixon in Boss Richard Daley’s Chicago, the plans to kill Castro and invade Cuba, his obsessive sexual affairs, and Vietnam, where he increased the number of American “advisors” in Vietnam from Eisenhower’s 900 to 16,000, rendering him, at least in Hersh’s eyes, a Cold Warrior who bears a heavy responsibility for the devastating war that ensued. The resulting criticism of Hersh was, of course, intense, especially among those who venerated the Camelot era.
He then turned to Israel, always a hot button topic for American politicians desperate for Jewish donations and votes and its loyal sympathizers who believed that small nation livea in a very dangerous neighborhood and needs to develop means of protection, even nuclear bombs. In The Sampson Option: Israeli Nuclear Arsenal and American Foreign Policy, Hersh uncovered material about Dimona, how Eisenhower trued to dissuade the Israelis to forego the nuclear option and failed, how every succeeding administration dared not challenge Israeli’s nuclear buildup and how Jonathan Pollard allegedly had some of the material he stole transferred to the USSR by Yitzhak Shamir -- Miraldi earlier mistakenly says it was Yitzhak Rabin. A veritable storm of criticism greeted the book and of course, its author. Undaunted, he never stopped. He next scrutinized the Soviet downing of a Korean passenger plane and found that, according to the U.S. Air Force, the Soviets thought it was a U.S. spy place, but the Reagan administration preferred to proclaim the attack as just another act of Soviet perfidy.
What Miraldi sees in Hersh is his anger at the lack of ethical behavior in high places. "Yes, he likes to make money. Yes, he can be threatening to targets as he researches. Yes, he uses too many anonymous sources. And yes, he loves the spotlight,” writes Miraldi. But Hersh, he rightfully concludes, much like our remaining investigative reporters, prefers holding powerful people and institutions accountable. Impossible as it may be, but that’s why Hersh and the others do what they do and why Miraldi chose to write about Hersh and his superb body of work.
comments powered by Disqus
- Judith Kelleher Schafer, 72, a historian of slavery and prostitution, dies
- Northwestern celebrates Garry Wills with a book in his honor
- Conservatives go after UCLA's historian James Gelvin
- Laura Hillenbrand writes her masterpieces despite suffering from Chronic Fatigue Syndrome
- New PBS DVD From Henry Louis Gates Jr. Explores African Influence on the Caribbean