One man's memoir of 9/11 becomes another's symphonytags: WSJ, 9/11, memoirs, music, Art Spiegelman, Mohammed Fairouz
Mohammed Fairouz has never been shy about using his musical platform to explore political and social issues. Nor is the young New York-based composer allergic to popular culture in its most colorful forms. So for his latest work, "Symphony No. 4, In the Shadow of No Towers," which will make its world premiere Tuesday at Carnegie Hall, he is grappling with the aftermath of the attacks of Sept. 11, 2001, by adapting the 2004 graphic novel "In the Shadow of No Towers" by Art Spiegelman.
Mr. Fairouz, who is 27 and grew up in New York and London, said he was initially attracted both to the book's structure and to its contemplative treatment of the events. "Graphic novels have a kind of architecture that is musical," he said. "I thought the way that it dealt with the event and its aftermath wasn't overly sentimental, but at the same time was respectful."
But when he pitched the "No Towers" idea to Mr. Spiegelman, the Pulitzer Prize-winning author and illustrator of "Maus" was hesitant. A previous effort by another composer to create a multimedia production had yielded mixed results, so the artist's expectations were tempered. After hearing Mr. Fairouz's completed symphony, though, he was moved....
comments powered by Disqus
- South Dakota drops history as a high school requirement
- The Forgotten History Of 'Violent Displacement' That Helped Create The National Parks
- Gospel of Jesus’ Wife May Be Authentic, New Tests Suggest
- Architect Sought for Obama’s Presidential Library Complex
- 2016 election's leading candidates have strong Jewish family ties
- Historians tackle America’s mass incarceration problem
- Report: Russian studies in crisis
- Ken Burns: Donald Trump’s birtherism — a “politer way of saying the ‘N-word'” — proves America isn’t remotely “post-racial”
- Medievalist calls on historians to welcome pop culture
- NYT History Book Reviews: Who Got Noticed this Week?