music 
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SOURCE: Tribune Magazine
4/21/2021
The Radical Politics of Nina Simone
by Chardine Taylor-Stone
"On the anniversary of her death, we can look at how the story of Simone’s political life is told, and who is telling it; at what they choose to include, and what they do in fact ‘erase’."
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SOURCE: Black Perspectives
4/13/2021
Sounds of Freedom: The Music of Black Liberation
Shana Redmond and Rickey Vincent discuss their research, which deals with the ways that musical expression has been integrated into the politics of Black freedom in different moments (and different musical styles, including the Black Panther Party's own funk band).
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SOURCE: The Metropole
3/30/2021
The Emergence Of Gangsta Rap — A Review Of To Live And Defy In LA
by Katherine Rye Jewell
A review by historian Katherine Rye Jewell of Felicia Angeja Viator's new book on the rise of "gangsta" rap music in the context of racism, poverty and policing in South Los Angeles in the 1980s.
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SOURCE: New York Times
3/19/2021
In ‘Genius: Aretha,’ Respecting the Mind, Not Just the Soul
"The full scale of Franklin’s contributions to her own music has long been obscured. She was a gifted songwriter and a superb pianist. In the studio, she was a taskmaster, pushing herself and her collaborators until they captured the exact sound she heard in her head — not easy for a Black female musician of her time."
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SOURCE: NPR
3/202/2021
A Grandson's Gift — A Spotlight — For His Grandfather's WWII Band
Jason Burt, a middle school history teacher and historian, believes this album is the only known recording of a front line band from WWII to have surfaced.
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SOURCE: American Scholar
3/13/2021
The Baddest Man in Town
by Eric McHenry
Writer Eric McHenry recounts picking up the documentary trail (started in the 1970s by John Russell David) of the notorious "Stagger Lee" Shelton, whose reign of terror in early 20th century St. Louis became immortalized in song and legend.
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SOURCE: The Nation
3/15/2021
How Black Women Musicians Defined What We Call Culture
Daphne Brooks's new book "Liner Notes for the Revolution" examines the ways that Black women as creators, critics and consumers of popular music have advanced a political vision of transforming society.
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SOURCE: New York Times
3/14/2021
The Culture Warped Pop Music – For Good
Partly due to the way streaming service users listen, the structures of pop music songs have changed in recent years; although today's hits are built differently than those of the 1960s, it's part of a long pattern of change in pop.
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SOURCE: New York Times
3/5/2021
Black Spirituals as Poetry and Resistance
The author reflects on the experience of collecting oral history interviews from Black Brooklynites. The way her respondents understood death offers insight into the communal impacts of the COVID pandemic.
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SOURCE: New York Times
3/3/2021
He Was Born Into Slavery, but Achieved Musical Stardom
Thomas Wiggins became a musical sensation in the pre-Civil War era, but never controlled his earnings or legacy. Today, preservationists are working to separate fact from legend and showcase his compositions.
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SOURCE: Made By History at the Washington Post
2/26/2021
Fifty Years Later, ‘Tapestry’s’ Hope And Optimism Still Resonates
by Tanya Pearson
"Sincere, earnest and personal, 'Tapestry' embodied the emerging political argument ‘the personal is political.’ This phrase became a defining characteristic of second wave feminism at a time when women and others challenged the institutions of marriage, the nuclear family and its values and state control of women’s reproductive rights."
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SOURCE: BBC
3/2/2021
Bunny Wailer: Reggae Legend who Played with Bob Marley Dies, Aged 73
The star, whose real name was Neville O'Riley Livingston, had been the last surviving member of The Wailers.
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SOURCE: Folklife
3/1/2021
“Making a Living by the Sweat of Her Brow”: Hazel Dickens and a Life of Work
by Emily Hilliard
"Hazel’s song catalog is often divided into separate categories of personal songs, women’s songs, and labor songs. But in her view and experience, these issues all bled together; her songs address struggle against any form of domination and oppression, whether of women, workers, or herself."
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1/31/2021
What J-Lo Sang
by Mark F. Fernandez
Jennifer Lopez's Inaugural performance showed that Woody Guthrie’s lyric, his notion of an inclusive America, still resonates today as Americans ponder questions of unity.
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SOURCE: New York Times
1/28/2021
Sun Records, Storied Early Rock Label, Sells Its High-Wattage Catalog
"In the 1950s, Sun Records in Memphis became one of the most dynamic forces in American music, releasing the first recordings by Elvis Presley, Johnny Cash, Jerry Lee Lewis and others, helping define rockabilly and rock ’n’ roll."
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1/31/2021
Lawrence Gellert, Black Musical Protest & White Denial: An Interview With Steven Garabedian
by Aaron J. Leonard
Steve Garabedian's new book reexamines the life and work of Lawrence Gellert, a Jewish New Yorker who relocated to the South, recorded African American songs, and clashed with the growing establishment of white folklorists. Is it time to reappraise Gellert's contributions to the preservation of Black musical culture?
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1/31/2021
Hidden in Plain Sight: History Teaching Needs to Take Advantage of Art and Material Culture
by Elizabeth Stice
"Where there is passion, people will pursue the past. A sneakerhead can tell you about the innovations in Air Jordans over the years and oftentimes quite a bit about the economic and cultural context of each shoe. Art and material culture can lead people to their own study of the past."
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SOURCE: The New Yorker
1/26/2021
Rewinding Jimi Hendrix’s National Anthem
"Jimi’s Woodstock anthem was both an expression of protest at the obscene violence of a wholly unnecessary war and an affirmation of aspects of the American experiment entirely worth fighting for."
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SOURCE: Deadline
12/12/2020
Charley Pride Dies: Pioneering Black Country Music Star Was 86
Charlie Pride was the first Black performer inducted into the Country Music Hall of Fame and is one of three Black members of the Grand Ole Opry.
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SOURCE: Nashville Scene
12/10/2020
New Oral History Project Spotlights Roles of Nashville’s Women Musicians
Musician and historian Tiffany Minton's new oral history project tackles the stereotype of the Nashville session musician – the backbone of the city's recording industry – as a white guy.
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