Who's Afraid of Black History?Roundup
tags: Florida, African American history, teaching history, United Daughters of the Confederacy, Ron DeSantis
Dr. Gates is the director of the Hutchins Center for African and African American Research at Harvard. He is the host of the PBS television series “Finding Your Roots.”
Lurking behind the concerns of Ron DeSantis, the governor of Florida, over the content of a proposed high school course in African American studies, is a long and complex series of debates about the role of slavery and race in American classrooms.
“We believe in teaching kids facts and how to think, but we don’t believe they should have an agenda imposed on them,” Governor DeSantis said. He also decried what he called “indoctrination.”
School is one of the first places where society as a whole begins to shape our sense of what it means to be an American. It is in our schools that we learn how to become citizens, that we encounter the first civics lessons that either reinforce or counter the myths and fables we gleaned at home. Each day of first grade in my elementary school in Piedmont, W.Va., in 1956 began with the Pledge of Allegiance to the flag, followed by “America (My Country, ’Tis of Thee).” To this day, I cannot prevent my right hand from darting to my heart the minute I hear the words of either.
It is through such rituals, repeated over and over, that certain “truths” become second nature, “self-evident” as it were. It is how the foundations of our understanding of the history of our great nation are constructed.
Even if we give the governor the benefit of the doubt about the motivations behind his recent statements about the content of the original version of the College Board’s A.P. curriculum in African American studies, his intervention falls squarely in line with a long tradition of bitter, politically suspect battles over the interpretation of three seminal periods in the history of American racial relations: the Civil War; the 12 years following the war, known as Reconstruction; and Reconstruction’s brutal rollback, characterized by its adherents as the former Confederacy’s “Redemption,” which saw the imposition of Jim Crow segregation, the reimposition of white supremacy and their justification through a masterfully executed propaganda effort.
Undertaken by apologists for the former Confederacy with an energy and alacrity that was astonishing in its vehemence and reach, in an era defined by print culture, politicians and amateur historians joined forces to police the historical profession. The so-called Lost Cause movement was, in effect, a take-no-prisoners social media war. And no single group or person was more pivotal to “the dissemination of the truths of Confederate history, earnestly and fully and officially,” than the historian general of the United Daughters of the Confederacy, Mildred Lewis Rutherford, of Athens, Ga. Rutherford was a descendant of a long line of slave owners; her maternal grandfather owned slaves as early as 1820, and her maternal uncle, Howell Cobb, secretary of the Treasury under President James Buchanan, owned some 200 enslaved women and men in 1840. Rutherford served as the principal of the Lucy Cobb Institute (a school for girls in Athens) and vice president of the Stone Mountain Memorial project, the former Confederacy’s version of Mount Rushmore.
As the historian David Blight notes, “Rutherford gave new meaning to the term ‘die-hard.’” Indeed, she “considered the Confederacy ‘acquitted as blameless’ at the bar of history, and sought its vindication with a political fervor that would rival the ministry of propaganda in any twentieth-century dictatorship.” And she felt that the crimes of Reconstruction “made the Ku Klux Klan a necessity.” As I pointed out in a PBS documentary on the rise and fall of Reconstruction, Rutherford intuitively understood the direct connection between history lessons taught in the classroom and the Lost Cause racial order being imposed outside it, and she sought to cement that relationship with zeal and efficacy. She understood that what is inscribed on the blackboard translates directly to social practices unfolding on the street.
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