Bruce Cole: Official History Scold ... The head of the National Endowment for the Humanities stands up for American exceptionalismHistorians in the News
Mr. Cole also says things others might find old-fashioned and perhaps even politically incorrect. "We have to look at the valleys and the peaks, but I do believe in American exceptionalism," he said by way of explaining his zeal. "This is the greatest country that has ever existed."
For these sentiments, Mr. Cole has elicited some praise, but also smirks and snickers. Last year, Washington Post critic Philip Kennicott wrote that his "dogmatic public statements on art and literature are increasingly embarrassing." Mr. Cole himself acknowledges some raised eyebrows in his audiences when he speaks of the homeland security connection, but adds, "I don't remember anyone laughing."
In any case, his remedy for the national affliction is a program called "We the People," which since its inception in 2002 has spent more than $50 million on teacher institutes and workshops, museum exhibits, research fellowships, digitization of historic newspapers, public programming at historic sites, and similar projects. The grants are, to quote one description on the NEH Web site, geared toward projects that "explore significant events and themes in our nation's history and culture and that advance knowledge of the principles that define America."
That approach departs dramatically from the "My History Is America's History" program it supplanted, a PC thing started in 1999 by Mr. Cole's predecessor, William R. Ferris. Still, when asked to explain the difference, Mr. Cole demurs. Pressed, he says that "we're not interested just in personal history and the history of your family; history is fashioned by people who really make a difference." Finally, on the third question, he is critical: "We did go off track with the emphasis on individual history."
At first glance, Mr. Cole seems an odd choice for the job of America's official history scold. He's a button-downed guy, though not so staid that he wouldn't wear a bright purple tie, which matched his purple pin-striped shirt, with his dark suit. He's spent his life as a scholar of Renaissance art, mainly at Indiana University, traveling to Italy about 50 times. As you may have guessed, he deplores some trends in museology--which is not insignificant, considering that the NEH makes grants to museums that amounted to almost $15.8 million in the fiscal year that ended Sept. 30, 2006....
[One trend he opposes is museums drawing large crowds for the sake of large crowds.]
While he concedes that a decade of museum expansions has probably caused a structural problem that necessitates attempts to draw huge crowds, philosophically he has a different view."I don't think we have to bring more people in, though we want them to come in," he explains."I'm not so interested in, whether you're a doctor or whatever, that you know when Masaccio was born, but I want you to know that art is important. I would like to give as many people as possible the opportunity to understand that art can improve the quality of life. It should be available."
If Mr. Cole, the art historian, finds art to be optional, however, he is also quick to get back to his main message, about history."I don't necessarily know that it's a bad thing if people don't know about art or classical music, but I think we should offer it as an opportunity--that doesn't mean you don't like country & western music or watch TV," he says."I don't feel that way about American history." It's essential. Here he tells the story of Ronald Reagan's parting words as president."He said this country comes from well-informed patriotism; it's that love of country, that love of place, that's necessary for any country's survival. You can call them myths if you want, but unless we have them, we don't have anything."...
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