The self-made manHistorians in the News
tags: African American history, Frederick Douglass, biography
Manisha Sinha is a professor of Afro-American studies and history at the University of Massachusetts, Amherst. She is the author of “The Counterrevolution of Slavery: Politics and Ideology in Antebellum South Carolina” and the forthcoming “The Slave’s Cause: Abolition and the Origins of America’s Interracial Democracy.”
It is an irony of US history that the most photographed and heard American of the nineteenth century, according to his latest biographer David W. Blight, was the former slave and black abolitionist Frederick Douglass. Today his fame is widespread enough for the historically challenged Donald Trump to commend him for “doing a good job”. Blight, a professor at Yale University and distinguished historian of abolition and the Civil War, has written a deeply sympathetic biography of this extraordinary African American leader that brings to life his magnificent oratory. The author of a brilliant intellectual history, Frederick Douglass’ Civil War (1989), and accomplished editor of Douglass’s first autobiography, Narrative of the Life of Frederick Douglass, An American Slave (1845), Blight has lived with his subject for decades, and his mastery of all things Douglass is evident on each page.
Douglass himself was aware of the power of his remarkable life story, his ascent from fugitive slave to statesman. His slave narrative became, the literary scholar William Andrews has noted, “the great enabling text” of early African American autobiography, as many former slaves put pen to paper after the runaway success of Douglass’s book (pun intended). As Blight puts it, Douglass’s “great indictment of slavery came first and foremost from the accumulated injury of his own story”. Slave narratives comprised some of the most popular literature of their day and were the inspiration for Harriet Beecher Stowe’s international bestselling anti-slavery novel, Uncle Tom’s Cabin (1852). The power of black autobiographical writing has persisted in our times, as we have seen in the global success of Michelle Obama’s Becoming (reviewed in the TLS, February 8). Blight adeptly leans on the self-image Douglass sought to construct in the three iterations of his autobiography, his numerous speeches and editorials, writing what he calls “the biography of a voice”. He also sheds light on Douglass’s controversial personal life.
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