Pulling the strings on Arab historyBreaking News
One of Egypt’s most celebrated contemporary artists, Wael Shawky, makes work of a grand and complicated scale. His recent half-hour long film “Cabaret Crusade: The Horror File” is the first installment in what he plans will be a four-part video narrative of the Crusades, starring marionettes.
It was recently exhibited at the 12th Istanbul Biennale alongside large-scale, glossy photographs of the marionettes that raise them to the status of movie stars, and drawn and sculptural elements built out of the film’s visual language. Shawky has said that in his work he seeks to create a “hybridized society,” and he often presents familiar historical events, with altered rules and jarring pairings, employing child actors – or in this case puppets – to generate questions about contemporary social and cultural issues through contrasts.
The artist has of late been showered with grants and awards, most notably the Abraaj Capital Art Prize, a Dubai-based prize through which artists receive funding for proposed projects to be exhibited at Art Dubai in March. Shawky was not at liberty to discuss from Marseille his plans for the Abraaj Capital exhibition. Yet, he spoke to us his current projects, including the next installment of “Cabaret Crusade.”...
comments powered by Disqus
- A New Target for Old Spies: Congress
- Antigua and Barbuda Asks Harvard University for Slavery Reparations
- Historian: Nixon DID contest the 1960 election
- Killer took selfie after stabbing historian over rare ‘Wind in the Willows’ book
- VW fires corporate historian who drew attention to wartime ties to Nazis
- British historian Sheila Lecoeur is on trial for defamation
- Jim Downs laments that Americans still aren’t being taught LGBT history
- Historian Jeremy Kuzmarov calls on Obama to pardon Ethel Rosenberg
- Garry Wills says there’s one human test we can use to decide who’s the better candidate: Trump or Clinton
- Get to Know the Semifinalists for the National Book Award