In Collection's Ashes, a Heritage's Seeds
So, when asked about her loss, Ms. Cafritz hesitates. Her $5.2 million mansion here in the Kent neighborhood of northwest Washington held one of the largest private collections of African-American and African art in the country, more than 300 sculptures, paintings, photographs and other pieces that she painstakingly accumulated over the past two decades, often from artists whose careers she had personally nurtured.
The works of 19th- and 20th-century painters like Edward Mitchell Bannister, Jacob Lawrence and Romare Bearden hung amid contemporary work by artists like Hank Willis Thomas, Nick Cave, Kara Walker and Kerry James Marshall. Virtually everything was destroyed in the blaze that gutted the house on July 29, while she and her son were on vacation in Martha’s Vineyard.
The destruction of the collection is being mourned in museums and galleries too, particularly among connoisseurs of contemporary African-American and African art. Thelma Golden, director of the Studio Museum in Harlem, praising Ms. Cafritz’s “unique eye and incredibly refined aesthetic,” called it “a great loss.” Jack Shainman, the New York gallery owner, lamented the destruction of “a singular vision.”
comments powered by Disqus
- Climate of Change: The Catholic Church's Dance With Science
- Sacrificed Humans Discovered Among Prehistoric Tombs
- Nazis Triumph Over Communists in Ukraine
- Obits for Happy Rockefeller blamed her for his political decline. Don’t believe it.
- Historian investigates claim that Bugsy Siegel wanted to kill Goring
- NYT hosts debate including Eric Foner: How Americans should remember Reconstruction
- William Leuchtenburg says historians and the media have been too hard on Obama
- Hugh Ambrose, historian who helped develop WWII Museum, dead at 48
- Historian discounts claim that Churchill and other British PM's were gay
- Nick Bunker Wins $50,000 2015 George Washington Book Prize