No Reconciliation Without Truth
The museum sits on the site of a former warehouse where black slaves were imprisoned, between an infamous slave market and the dock that received blacks from the domestic slave trade. Relying on cutting-edge research and first-person accounts, it will leverage technology and a variety of media to showcase the tragedy of slavery, lynching, segregation, and more. The memorial, located on an elevated spot overlooking Montgomery, is a landmark structure: hundreds of columns suspended in air, like bodies dangling from branches, that represent the counties in America where lynchings took place. Together, the museum and memorial are unrivaled in the way they force the viewer to confront America’s violently racist past.
The monuments are the brainchild of Bryan Stevenson, founder of the Equal Justice Initiative, which unearthed approximately 4,400 incidents of lynching in nearly 800 counties, culminating in a 2015 report entitled “Lynching in America: Confronting the Legacy of Racial Terror.” The idea behind Stevenson’s project is that truth and reconciliation are not “simultaneous,” as he has said—they are “sequential.” And in his opinion, America has “done a terrible job of truth-telling in this country about our history of racial inequality,” instead skipping to the reconciliation part.
As a result, memorializing racial tragedy can lead to a double-forgetting of those afflicted—forgotten because the truth is bypassed in the rush to reconciliation, and forgotten yet again because the victims were terrorized in parts of the country that are routinely neglected. These monuments avoid the trap of double-forgetting by emphasizing the brutal truth about racial terrorism, and where it happened. They are a lesson for all such efforts going forward, including Tulsa’s Race Riot Centennial Commission, which seeks to “educate all citizens” about the 1921 massacre that decimated the black community there.
The Legacy Museum’s exhibits address everything from bondage to mass incarceration, and make declarative political statements about the America we live in today. It underscores “the destructive violence that shaped our nation” and reveals how that violence “traumatized people of color and compromised our commitment to the rule of law and equal justice.” It has taken cues from museums that have memorialized the tragic “histories of genocide, apartheid, and a host of human rights abuses in other countries,” including the Apartheid Museum in South Africa, the Genocide Memorial in Rwanda, and the Holocaust Memorial Museum in Washington, D.C. ...