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The Invisible Library

It was a warm day in Paris, and the library of the Institut de France was stuffy and hot. Daniel Delattre, a distinguished French papyrologist, did not remove his suit jacket. The institute, which includes the Académie Française, is a jacket-and-tie sort of place.

Delattre, who is sixty-eight years old and has a dreamy, lost-in-the-vale-of-academe manner, was contemplating a small wooden box on the table in front of him which was labelled “Objet Un.” There are thousands of rare objects in the institute’s library; the fact that whatever was inside the box was Object One suggested that it was of some importance. An ornately hand-lettered card was taped to the outside. It said, in French, “Box containing the remains of papyrus from Herculaneum”—the Roman town destroyed, along with its larger neighbor, Pompeii, in the eruption of Mt. Vesuvius in A.D. 79.

The papyrus scrolls of Herculaneum, which were discovered in 1752, have long fascinated and frustrated lovers of antiquity. They were found in an elaborate villa buried almost ninety feet deep by the volcano—this archeological wonder has been known ever since as the Villa dei Papiri. At least eight hundred scrolls were uncovered; they constitute the only sizable library from the ancient world known to have survived intact. Some were found stacked on shelves in a small room; others were elsewhere in the villa, packed in capsae, travelling boxes for the scrolls, presumably in preparation for flight.

Given the splendor of the villa, and the masterly bronze sculptures found in its ruins, the learned world assumed that the library would contain vanished classics. One could dare hope for one or two of the lost histories of Livy, of whose hundred and forty-two books on the history of Rome only thirty-five survive. Or perhaps one of the nine volumes of verse written by Sappho, the Greek poet; only one complete poem remains. By some estimates, ninety-nine per cent of ancient Greek literature has been lost, and Latin has not fared much better. Among those works we know are missing are Aristotle’s second volume of the Poetics, which was on comedy; Gorgias’ philosophical work “On Non-Existence”; the four missing books of the Roman historian Tacitus’ Annals, covering Caligula’s reign and the beginning of Claudius’; Ovid’s version of “Medea”; and Suetonius on the Greek athletic games. (His “Lives of Famous Whores” also, sadly, has not survived.) Greek tragedy has been decimated. According to the Suda, the tenth-century Byzantine encyclopedia of classical culture, Euripides wrote as many as ninety-two plays; eighteen survive. We have seven each from Aeschylus and Sophocles, who wrote about ninety and a hundred and twenty, respectively. “And that’s just the big three of tragedy,” the writer and classics professor Daniel Mendelsohn told me. “Of the thousand that were likely written and performed during the hundred-year heyday of tragedy, we have only thirty-three extant plays—that’s about a three-per-cent survival rate.”

Delattre’s dream has been to recover something of the lost works of Epicurus (341-270 B.C.), the Greek philosopher whose thought has been the focus of his life’s study, and whose writings are known only through secondary sources. ...

Read entire article at The New Yorker