Originally published 07/08/2013
High on the facade of Santa Maria Antica, among soaring Gothic spires and forbidding statues of knights in armor, pathologist Gino Fornaciari prepared to examine a corpse. Accompanied by workmen, he had climbed a 30-foot scaffold erected against this medieval church in Verona, Italy, and watched as they used hydraulic jacks to raise the massive lid of a marble sarcophagus set in a niche. Peering inside, Fornaciari found the body of a male in his 30s, wearing a long silk mantle, arms crossed on his chest. The abdomen was distended from postmortem putrefaction, although Fornaciari caught no scent of decomposition, only a faint waft of incense. He and the laborers eased the body onto a stretcher and lowered it to the ground; after dark, they loaded it into a van and drove to a nearby hospital, where Fornaciari began a series of tests to determine why the nobleman died—and how he had lived.
- German Historian: Rich Greeks Evade Taxes Since 1830
- UK teaching "invented" history as EU propaganda, says Cambridge professor
- The move accelerates to show that black people have a history
- Eric Foner says he insisted on his MOOC on the Civil War being free
- Ellen Schrecker backs “National Adjunct Walkout Day” as a brilliant tactic