Originally published 02/26/2013
Manisha Sinha is a professor of Afro-American studies and history at the University of Massachusetts, Amherst. She is the author of “The Counterrevolution of Slavery: Politics and Ideology in Antebellum South Carolina” and the forthcoming “The Slave’s Cause: Abolition and the Origins of America’s Interracial Democracy.”The “Lincoln industry,” through which Abraham Lincoln has become the most-written about American, used to be confined to historians and other writers. But between the bicentennial of Lincoln’s birth in 2009 and the sesquicentennial of the Emancipation Proclamation in 2013, a period during which the nation’s first black President continuously paid homage to the sixteenth President, Lincoln has come to reign unchallenged in popular culture too, nowhere more so than in Steven Spielberg’s Lincoln, which was considered by many an Oscar favorite. Perhaps historical criticism has proven to be a kiss of death for the film’s chances.
Originally published 02/25/2013
Manisha Sinha is a professor of Afro-American studies and history at the University of Massachusetts, Amherst. She is the author of “The Counterrevolution of Slavery: Politics and Ideology in Antebellum South Carolina” and the forthcoming “The Slave’s Cause: Abolition and the Origins of America’s Interracial Democracy.”On the 150th anniversary of the Emancipation Proclamation, discussion over who freed the slaves, fueled by movies like “Lincoln,” have become commonplace. While historians have debated the relative roles of Abraham Lincoln and the slaves themselves in the coming of emancipation, few have paid attention to the abolitionists, the forgotten emancipationists in the story of black freedom.
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