Jonathan Lopez, "A Stranger to Himself," WSJ, 15 October, Roberta Silman for the Boston Globe, 17 October, and Michiko Kakutani, "The Persona and the Palette," NYT, 20 October, review Steven Naifeh's and Gregory White Smith's Van Gogh: The Life. Ariella Budick, "Portrait of Decline," Slate, 25 September, and Barry Schwabsky, "Vacant, Limpid, Angelic: On Willem de Kooning," Nation, 18 October, review "de Kooning: A Retrospective," an exhibit at the Museum of Modern Art in Manhattan.

Alonzo Hamby, "When Ike Took Charge," WSJ, 20 October, reviews Jim Newton's Eisenhower: The White House Years. Eric A. Posner, "Casual with the Court," The Book, 24 October, reviews Kevin J. McMahon's Nixon's Court: His Challenge to Judicial Liberalism and Its Political Consequences.

David Barboza, "The Man Who Took Modernity to China," NYT, 21 October, reviews Ezra F. Vogel's Deng Xiaoping and the Transformation of China.

Jacob Silverman, "Free Radical," Tablet, 19 October, reviews the new documentary film, Paul Goodman Changed My Life. Matt Labash, "Buy the Ticket, Take the Ride," WSJ, 15 October, reviews Jann Wenner, ed., Fear and Loathing at Rolling Stone: The Essential Writing of Hunter S. Thompson.

Dwight Garner, "Peering Beyond a Monologist's Stage Presence Into His Uncensored Mind," NYT, 17 October, reviews Nell Casey, ed., The Journals of Spalding Gray. Raymond Beauchemin reviews Robert J Wiersema's Walk Like a Man: Coming of Age with the Music of Bruce Springsteen for The National, 21 October. Janet Maslin, "Making the iBio for Apple's Genius," NYT, 21 October, and WSJ Staff for the WSJ's Speakeasy, 23 October, review Walter Isaacson's Steve Jobs.