Why Ingmar Bergman MatteredRoundup: Pop Culture & the Arts ... Movies, Documentaries and Museum Exhibits
But Bergman wasn't kidding. Most of his 60-some films, from his 1944 screenwriting debut with the schoolroom drama Torment through his swan song Saraband, released in the U.S. in 2005, were about the plague of the modern soul ˜ the demons and doubts, secrets and lies that men and woman evaded but were forced to confront, to their peril. This agonized Swede was a surgeon who operated on himself. He cut into his own fears, analyzed his failings, perhaps sought forgiveness through art. He may never have found that expiation; he lived his last years alone on remote Faro island, speaking only rarely with his old friends and colleagues. But when he died today at 89, Bergman left behind him a worldwide colony of devotees, and a collection of spare, severe dramas unique in their intensity and impact.
comments powered by Disqus
- Documents: U.S. Embassy Tracked Indonesia Mass Murder 1965
- Tufts Project Maps The Landmarks Of Black Boston
- Asp – or ash? Climate historians link Cleopatra's demise to volcanic eruption
- The JFK Document Dump Could Be a Fiasco Say These Two Scholars
- The book Mattis reads to be prepared for war with North Korea
- Digital map helps historians get granular with holocaust research
- Historian Keri Leigh Merritt defends activist scholars
- Historian digs into the hidden world of Mormon finances
- A historian who became a business professor?
- Allan Lichtman's response to critics of his book that makes the case for Trump’s impeachment