Why Ingmar Bergman Mattered
But Bergman wasn't kidding. Most of his 60-some films, from his 1944 screenwriting debut with the schoolroom drama Torment through his swan song Saraband, released in the U.S. in 2005, were about the plague of the modern soul ˜ the demons and doubts, secrets and lies that men and woman evaded but were forced to confront, to their peril. This agonized Swede was a surgeon who operated on himself. He cut into his own fears, analyzed his failings, perhaps sought forgiveness through art. He may never have found that expiation; he lived his last years alone on remote Faro island, speaking only rarely with his old friends and colleagues. But when he died today at 89, Bergman left behind him a worldwide colony of devotees, and a collection of spare, severe dramas unique in their intensity and impact.
comments powered by Disqus
- 93-year-old former Auschwitz guard charged
- Martin Amis’s ‘Zone of Interest’ Makes European Publishers Squirm
- Urban Outfitters Features "Vintage" Red-Stained Kent State Sweatshirt
- Americans know surprisingly little about their government, survey finds
- Do You Have Snippets of the Star-Spangled Banner?