Why Ingmar Bergman Mattered
But Bergman wasn't kidding. Most of his 60-some films, from his 1944 screenwriting debut with the schoolroom drama Torment through his swan song Saraband, released in the U.S. in 2005, were about the plague of the modern soul ˜ the demons and doubts, secrets and lies that men and woman evaded but were forced to confront, to their peril. This agonized Swede was a surgeon who operated on himself. He cut into his own fears, analyzed his failings, perhaps sought forgiveness through art. He may never have found that expiation; he lived his last years alone on remote Faro island, speaking only rarely with his old friends and colleagues. But when he died today at 89, Bergman left behind him a worldwide colony of devotees, and a collection of spare, severe dramas unique in their intensity and impact.
comments powered by Disqus
- Bettany Hughes interview: The historian on how Socrates would have solved Greece's problems
- U.K. Released Hundreds of Nazis After the Holocaust, Says Leading Historian
- NYT History Book Reviews: Who Got Noticed this Week?
- Historians Against the War gathering signatures for new resolution to AHA on alleged violations of academic freedom in Israel
- Academic Seeks Death Certificate for Outlaw Billy the Kid