Hitchens: Why Pontecorvo's Film on Algeria Isn't Relevant to Iraq

Roundup: Media's Take

Christopher Hitchens, writing in Slate (Jan. 5, 2004):

Having been screened by the special operations department of the Pentagon last August (see Charles Paul Freund's piece in Slate ), The Battle of Algiers is now scheduled for a run at the New York Film Forum . Unless I am wrong, this event will lead to a torrent of pseudo-knowing piffle from the armchair guerrillas (well, there ought to be a word for this group). I myself cherished the dream of being something more than an armchair revolutionary when I first saw this electrifying movie. It was at a volunteer work-camp for internationalists, in Cuba in the summer of 1968. Che Guevara had only been dead for a few months, the Tet rising in Vietnam was still a fresh and vivid memory, and in Portuguese Africa the revolution was on the upswing. I went to the screening not knowing what to expect and was so mesmerized that when it was over I sat there until they showed it again. I was astounded to discover, sometime later on, that Gillo Pontecorvo had employed no documentary footage in the shooting of the film: It looked and felt like revolutionary reality projected straight onto the screen.

When I next saw it, in Bleecker Street in the Village in the early 1970s, it didn't have quite the same shattering effect. Moreover, in the audience (as in that Cuban camp, as I later found out) there were some idiots who fancied the idea of trying"urban guerrilla" warfare inside the West itself. The film had a potently toxic effect on Black Panthers, Weathermen, Baader-Meinhof, and Red Brigade types. All that needs to be said about that"moment" of the Left is that its practitioners ended up dead or in prison, having advanced the cause of humanity by not one millimeter.

Those making a facile comparison between the Algerian revolution depicted in the film and today's Iraq draw an equally flawed analogy. Let me mention just the most salient differences.

1) Algeria in 1956—the"real time" date of the film—was not just a colony of France . It was a department of metropolitan France . The slogan of the French Right was Algérie Française . A huge population of French settlers lived in the country, mainly concentrated in the coastal towns. The French had exploited and misgoverned this province for more than a century and were seeking to retain it as an exclusive possession.

2) In 1956, the era of French and British rule in the Middle East had already in effect come to an end. With the refusal by President Eisenhower to countenance the Anglo-French-Israeli attack on Egypt at Suez in November of that year, the death-knell of European colonialism had struck. There was no military tactic that could have exempted a near-bankrupt France from this verdict. General Massu in Algiers could have won any military victory he liked and it would have changed nothing. Frenchmen as conservative as Charles de Gaulle and Raymond Aron were swift to recognize this state of affairs.

Today, it is Arab nationalism that is in crisis, while the political and economic and military power of the United States is virtually unchallengeable. But the comparison of historical context, while decisive, is not the only way in which the Iraq analogy collapses. The French could not claim to have removed a tyrannical and detested leader. They could not accuse the Algerian nationalists of sponsoring international terrorism (indeed, they blamed Gamal Abdel Nasser in Egypt for fomenting the FLN in Algiers itself). They could not make any case that Algerian nationalism would violate the Non-Proliferation Treaty or even threaten to do so. Thus, French conscripts—not volunteers—and Algerian rebels were sacrificed for no cause except the lost and futile one of French reaction. The right-wing generals of the Algeria campaign, and some of the extreme settlers, actually did conduct an urban guerrilla rearguard action of their own, in Paris as well as Algeria , and did try to bring off a military coup against de Gaulle, but they had been defeated and isolated by 1968.

comments powered by Disqus