Michelle Dean: Is 'Game of Thrones' Escapist Enough?Roundup: Pop Culture & the Arts ... Movies, Documentaries and Museum Exhibits
tags: The Nation, Game of Thrones, Michelle Dean, escapism
Michelle Dean's writing has appeared at The New Yorker's Page Turner blog, Slate, Salon, the Globe and Mail, and a variety of other publications.
Game of Thrones is a pageant of a show, all velvet-curtain costumes and dye jobs that somehow never extend to the eyebrows. The accents are weird and randomly assigned, particularly the ones that are English by way of Denmark and New Jersey. And the CGI’s not all that different from the psychedelic drawings in 1970s cartoons. But somehow, every year, it rolls around just in time for people to feel like the real world’s a little much to handle, and we forgive its pieties and excesses for a few hours of entertainment.
In fact, it rarely feels like the ten hours we get each season are enough, and that feeling arises in spite of the amount of violence, exploitation, rape and suffering on the thing, which makes the daily headlines of life in America look like they were written by Captain Kangaroo. This season, whose prose analogue is the third book of the trilogy, A Storm of Swords, starts dark—the rotund and lovable Samwell Tarly running from one of the blue-eyed northern zombies they call the Others, or White Walkers—and will end darker. I won’t say a lot more, except to say that the first big twist comes three episodes in and things devolve from there....
Tenth grade history classes are often taught that in bad times—specifically, the Great Depression—Americans prefer escapist entertainment. And you don’t need this blog post to tell you that we are indeed in bad times, with this ever-lagging economic “recovery” where stock indexes rise as people are coming up on four and five years of unemployment. But typically the escapism we once preferred was, as in the Great Depression, social-comment-free: musicals like 42nd Street and Anything Goes, superhero comic books or cutesy Shirley Temple pictures. Sprawling quasi-Hobbesian magical-realist epics about the nature of power and sex in society: not so much. Until now, when we wanted to escape, we reached for utopias....
comments powered by Disqus
- Trump Holds Wide Lead in South Carolina
- An All-or-Nothing Fight for the Supreme Court
- Did Trump Really Lose the Debate?
- Scalia’s Death Sets Off Epic Battle
- Democrats See Gift in GOP Blocking Court Nominee
- Quote of the Day
- The Nastiest GOP Debate
- Reaction to the Republican Debate
- The GOP Presidential Debate
- How Clinton Could Respond on Supreme Court Vacancy
- Trump and Clinton Way Ahead in South Carolina
- McConnell Says Senate Will Wait to Replace Scalia
- Antonin Scalia Is Dead
- Clinton Says Sanders Would Be Threat to Obama Legacy
- Internal Tracker Shows Trump Leading in South Carolina
- Ben Carson used an apparently fake Joseph Stalin quote — and the Internet loved it
- Rubio exaggerates in saying it's been 80 years since a 'lame duck' made a Supreme Court nomination
- Humans Hard-Wired to Teach, Anthropologist Says
- Parents outraged after students shown ‘white guilt’ cartoon for Black History Month
- Maryland is once again considering retiring its state song
- Historian at the center of Sanders-Clinton debate
- James Loewen Says Additional Baltimore Confederate Statues Should be Removed
- NYT History Book Reviews: Who Got Noticed this Week?
- A historian’s advice to students thinking of getting a PhD in a tough economic climate
- German historian Heinz Richter cleared of charges