Jon Wiener: Oliver Stone's 'Untold History'

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Jon Wiener teaches US history at UC Irvine. His most recent book is "How We Forgot the Cold War."

If you thought Oliver Stone’s Untold History of the United States—a ten-part documentary series premiering November 12 on Showtime—would offer a series of conspiracy theories concerning the American past, you would be wrong. Despite Stone’s 1991 film JFK, there’s no JFK assassination conspiracy here—just a statement that the public found “unconvincing” the Warren Commission’s conclusion that Lee Harvey Oswald acted alone. There’s no 9/11 conspiracy, and no allegations that Franklin Roosevelt schemed in secret to get the Japanese to attack Pearl Harbor as a backdoor way to force the United States into World War II. The series’ massive, 750-page companion volume, co-written with historian Peter Kuznick, also shuns conspiracy theories.

The “untold history” here, which starts with World War II and ends with Obama, will not be unknown to readers of The Nation. Many of them already know that the Soviet Union defeated Hitler’s armies, not the United States; that Japan would have surrendered in August 1945 without the use of atomic bombs; that the United States has a long history of backing right-wing dictators around the world rather than supporting democratic movements. But many TV viewers are not Nation subscribers—at least that’s what I’ve been told—and even longtime readers of America’s oldest weekly will find plenty of provocative ideas here. Stone is quick to acknowledge that he is hardly the first to present this kind of alternative, critical view—his illustrious predecessors include, of course, Howard Zinn’s A People’s History of the United States, and also the bestselling Lies My Teacher Told Me by James Loewen. But neither of those historians ever had a ten-part series on cable television. Only Oliver Stone has the power to pull that off.

If there are no conspiracy theories here, Stone also eschews another line of argument that many might expect from him: that the ruling class is all-powerful, that Wall Street—the subject of one of his most memorable films—controls everything, along with bankers and the corporate elite, leaving ordinary people helpless. The thesis of the Showtime series, as well as its companion volume, is different: that history is not an iron cage, the keys to which are held by the ruling class. At many pivotal moments, Stone argues, history could have taken a radically different course. The missed opportunities, the roads not taken—these are Stone’s central themes, which he argues with energy, passion and a mountain of evidence (the companion volume has eighty-nine pages of footnotes)....

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