Rethinking the Armory Show at N-YHS
In 1913 — a few months short of a century ago — you are in New York City, not yet the world cultural capital. It’s a seething, manic place, with a powerful but provincial population. Wall Street is challenging London’s dominance of the international stock market, and finishing touches are being put on the highest high-rise on the planet, the Woolworth Building, in Lower Manhattan.
But beneath the cheers and the whir of machines, there is another sound: shouting, as 10,000 women demanding the vote march down Fifth Avenue, and a mass protest by striking mill workers fills Madison Square Garden to the explosion point.
At one time, a New Yorker rattled by noise and change could seek solace in art, in the visual smoothness and moral sureties of, say, Gilded Age painting, with its lush landscapes, classical tableaus and teatime interiors. Now, suddenly, that option was being all but closed....
“The Armory Show at 100,” scheduled to open at the New-York Historical Society Museum and Library a year from now, in October 2013, is conceived as a kind of reconstitution in miniature of the event, using 90 works from the original exhibition, along with archival materials — period photographs, newspaper clips, restaurant menus, postcards, popular prints — to evoke a social and intellectual context. The show will offer nuance to the standard shock-and-awe Armory story....
comments powered by Disqus
- On Time-Lapse Rocket Ride to Trade Center’s Top, Glimpse of Doomed Tower
- Turkish Premier Says European Stance on Armenian Genocide Reflects Racism
- Ben Affleck Asked PBS to Not Reveal Slave-Owning Ancestor
- Archaeologists Take Wrong Turn, Find World’s Oldest Stone Tools
- Evidence of Pre-Columbus Trade Found in Alaska House
- Historian Jack Ross says the Socialist Party was the most important third party of the 20th century
- Mourning a People’s Historian: Michael Mizell-Nelson
- Robert V. Hine dies at 93; historian wrote of losing, regaining sight
- Historicizing Ferguson: Police Violence and the Genesis of a National Movement
- Historians as Public Intellectuals