Steve Inskeep: Tolerance, Up in FlamesRoundup: Media's Take
FOR 65 years, the Nishat cinema stood in Karachi, Pakistan. A giant screen showed blockbuster films from around the world, reflecting Pakistan’s relative openness compared with neighboring Muslim nations. Vast billboards over the door featured handsome movie stars flanked by young women with revealing clothes and long, luxurious hair.
The cinema also symbolized the country’s resilience. Opened in 1947, the year of Pakistan’s independence, the Nishat became a landmark in a lively district of theaters, nightclubs and cafes. An Islamist dictator closed the bars and many theaters after 1977, but the Nishat survived. Crowds attended movies even though boys and girls who sat together risked harassment by religious conservatives.
The show went on until last Friday, when a mob set the Nishat on fire. Although it happened on “Love of the Prophet Day,” a state-sanctioned holiday devoted to protesting an anti-Muslim video made in the United States, the attack was the latest episode in a long-running pattern of self-destruction....
comments powered by Disqus
- Snopes debunks slavery Internet meme
- Revamped Chinese History Journal Welcomes Hard-Line Writers
- Poll: 3 Out of 5 Texan Trump Supporters Want Secession if Hillary Clinton Is Elected
- The Psychiatric Question: Is It Fair to Analyze Donald Trump From Afar?
- Minorities still feel Eugene, Oregon’s historical link to the Ku Klux Klan
- Ernst Nolte, Historian Whose Views on Hitler Caused an Uproar, Dies at 93
- Japan should give formal apology for wartime aggression, says historian
- Historian Benjamin Madley says what whites did to Indians in the 19th century in California was genocide.
- Kevin Baker says America needs to bring back political machines
- Covell Meyskens uses his blog to show what life was like under Mao. (Interview)