Frank Rich: Declinist panic. Hysterical nostalgia. America may not be over, but it is certainly in thrall to the ideaRoundup: Media's Take
Frank Rich is a columnist for New York Magazine and a former columnist for the NYT.
The wave of nostalgia for Andy Griffith’s Mayberry and for the vanished halcyon America it supposedly enshrined says more about the frazzled state of America in 2012 and our congenital historical amnesia than it does about the reality of America in 1960. The eulogists’ sentimental juxtapositions of then and now were foreordained. If there’s one battle cry that unites our divided populace, it’s that the country has gone to hell and that almost any modern era, with the possible exception of the Great Depression, is superior in civic grace, selfless patriotism, and can-do capitalistic spunk to our present nadir. For nearly four years now—since the crash of ’08 and the accompanying ascent of Barack Obama—America has been in full decline panic. Books by public intellectuals, pundits, and politicians heralding our imminent collapse have been one of the few reliable growth industries in hard times.
The outpouring traverses the political spectrum, from the apocalyptic hard right (Patrick Buchanan’sSuicide of a Superpower, Mark Levin’s Ameritopia) to the conservative Establishment (Charles Murray’sComing Apart: The State of White America, 1960–2010) to the centrist Washington Establishment (Norman Ornstein and Thomas Mann’s It’s Even Worse Than It Looks) to centrist liberalism (Thomas Friedman and Michael Mandelbaum’s That Used to Be Us) to the classically progressive (Timothy Noah’sThe Great Divergence). Depending on the political coloring of the authors, the books have different villains: the tea party, coddled Wall Street plutocrats, coddled welfare-state entitlement junkies, the yapping and trivializing news media, broken schools, a polarized and broken Congress, a politicized Supreme Court, a socialist president. And China Über Alles (with an occasional cameo by India). The books’ pet issues also vary, from the collapse of the family to the debasement of cultural values, the demise of political compromise, the extinction of the “vital center,” the president’s feckless “leading from behind” in foreign affairs, the rise of income inequality, the ballooning of the national debt, and unchecked federal spending. But the bottom line is nothing if not consistent, and is most concisely summed up in a tirade delivered to a hall of college students by Aaron Sorkin’s alter ego, a television anchor played by Jeff Daniels, in the HBO series The Newsroom: “When you ask what makes us the greatest country in the world, I don’t know what the fuck you’re talking about. Yosemite?”
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