by Farah M. Omer
Modern Somali theatre rose to prominence in the 1960s, the period following the independence and the subsequent unification of Somaliland and Somalia. By the 1970s, there were multiple shows a night in any given city and the average Somali adult was considered a regular theatre goer regardless of socioeconomic status.
Andrew Bacevich takes to the NYT op ed page to charge that authorities overlooked the lessons of Black Hawk Down in 1993
by Andrew J. Bacevich
"The disaster in Somalia offered America a glimpse of the future of warfare. No one listened.”
by Jeremy Kuzmarov
Neither the United States nor the United Nations had clean hands in Somalia.
- Demonizing Critical Race Theory
- Hideki Tojo's Ashes Scattered By US, Documents Reveal
- Plantation Planned Juneteenth Event that would Tell the Stories of Displaced ‘White Refugees’
- The Complicated History Behind BLM's Solidarity With The Pro-Palestinian Movement
- Rand Paul Offers an Accidentally Useful Jim Crow Analogy in Rationalizing His Party’s Illiberal Shift
- Postal Historian Asks the PRC to Return the Postal Service to a Mission of Service
- Is There an Uncontroversial Way to Teach America’s Racist History?
- White House Pushes To Jump-Start Civil Rights-Era Cold Cases Board
- Toll from Political Push at UNC Continues to Mount
- Legislating Against Critical Race Theory