Originally published 05/14/2014
"The Sleepwalkers" has lobbed a grenade into the debate and younger German historians have applauded Clark’s portrayal of a pan-European crisis with shared guilt.
Originally published 08/01/2013
Jim Cullen: Review of Christopher Clark's "The Sleepwalkers: How Europe Went to War in 1914" (Harper, 2013)
At one point early on in The Sleepwalkers, University of Cambridge Professor Christopher Clark cites a perception -- certainly one I had growing up -- of the First World War taking place on the far side of a historical divide. "It was easy to imagine the disaster of Europe's 'last summer' as an Edwardian costume drama," he writes, attributing this view to Barbara Tuchman books. "The effete rituals and gaudy uniforms, the 'ornamentalism' of a world still largely organized around hereditary monarchy had a distancing effect on present-day recollection. They seemed to signal that the protagonists were people from another, vanished world."
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