Alicia Keys as Philippa Schuyler
Philippa Schuyler was the daughter of George S. Schuyler, a key figure of the Harlem Renaissance. He was an accomplished author of numerous books and newspaper articles over several decades. Because of his witty and caustic style, many of his contemporaries dubbed him the “Negro H.L. Mencken.” He first rose to prominence as an independent leftist. During the 1930s, he was best known for promoting cooperatives among blacks.
During the 1940s, he became increasingly disillusioned with socialism and New Deal domestic and foreign policy. He was a backer of the America First Committee and was a consistent critic of the internment of Japanese-Americans. In 1945, he penned a devastatingly critical eulogy of Franklin D. Roosevelt who he accused of hypocrisy and manipulation. By the end of the 1940s, Schuyler had drifted into a hard-line conservatism. In 1966, he wrote about his odyssey in Black and Conservative.
Philippa Schuyler was an important figure in her own right. An accomplished concert pianist, she was also active in conservative causes as an author and lecturer. When it came to discrimination, however, her conservatism had a more radical, non-conformist edge. She was far less willing than her father, for example, to turn a blind eye to when she experienced racism. She touted the cause of African independence leader, Moise Tshombe, a popular icon among many young libertarians and conservatives during the early 1960s and predicted (accurately) that Africa would become increasingly dominated by dictators. At the time of her untimely death in 1967 at age thirty-six, she was covering the Vietnam War for William Loeb’s Manchester Union Leader.
This could be a fascinating film if done properly. A child prodigy, Philippa Schuyler had many adventurous, romantic, and tragic experiences in locations as diverse as the Congo, Vietnam, and France. As the daughter of interracial couple, she often found it difficult to win acceptance from the white majority. Hopefully, the film’s producers will be fair to her political ideas as well as those of her father. For more about her, see Kathryn Taladay, Composition in Black and White: The Life of Philippa Schuyler.