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New book explains how Che became CHE!

Not just in the hearts of revolutionaries, Marxist insurgents and rebellious teenagers, but on T-shirts, watches, sneakers, key chains, cigarette lighters, coffee mugs, wallets, backpacks, mouse pads, beach towels and condoms. He’s not only been used by politicians like the Venezuelan president, Hugo Chávez, to promote their own agendas, but he’s also been employed by merchants to sell air fresheners in Peru, snowboards in Switzerland and wine in Italy.

The supermodel Gisele Bündchen pranced down a runway in a Che bikini. A men’s wear company brought out a Che action figure, complete with fatigues, a beret, a gun and a cigar. And an Australian company produced a “cherry Guevara” ice cream line, describing the eating experience like this: “The revolutionary struggle of the cherries was squashed as they were trapped between two layers of chocolate. May their memory live on in your mouth!”

As Michael Casey, the Buenos Aires bureau chief for Dow Jones Newswires, observes in his fascinating new book, “Che’s Afterlife,” the image of Ernesto Guevara most frequently used by politicians, demonstrators and merchants alike is based on the famous 1960 picture of the guerrilla leader taken by the Cuban photographer Alberto Díaz Gutiérrez, known as Korda. It’s the familiar, ubiquitous close-up, often rendered in high-contrast blacks and whites, which features the handsome 31-year-old Argentine-born revolutionary looking off into the distance as if he had his eyes on the future, his gaze — described, variously, as pensive, determined, defiant, meditative or implacable — as difficult, in Mr. Casey’s words, “to put a finger on” as the Mona Lisa’s smile.

In this bracing and keenly observed book, Mr. Casey traces how Korda’s photograph became one of the most widely disseminated images in the world, how Che went from being a symbol of resistance to the capitalist system to one of the most marketable and marketed brands around the globe, how the guerrilla fighter became a logo as recognizable as the Nike swoosh or McDonald’s golden arches....
Read entire article at NYT