Grapes of Wrath, a classic for today?
Steinbeck's epic novel, which traces the harrowing exodus of Tom Joad and his family from blighted Oklahoma (where they are evicted from their farm), across the rugged American south-west via Highway 66, and on to what they mistakenly hope will be a more promising future in California, is considered by many readers to be the quintessential Depression-era story, and an ironic reversal of the rags-to-riches tale favoured by many optimistic Americans.
The Grapes of Wrath treats as a national epidemic the wave of widespread foreclosure, uprootedness, migration and homelessness caused by the double whammy of cataclysmic environmental and economic disasters.
The thirties was a decade of staggering unemployment in America - as high as 25% in 1933, and still hovering around 19% in 1938, the year in which Steinbeck set The Grapes of Wrath.
Steinbeck was not reticent about assigning part of the blame for the catastrophic conditions on the "Bank," the "Company," and the "State"; that is, to faceless, bloodless corporate, institutional, and bureaucratic organisations, so that his novel has an extremely hard, angry edge, though it offers no practical answers for a populace displaced by the shift from agricultural to industrial economies.
Steinbeck's partisanship was aided and abetted by his anger over the deplorable conditions under which migrant workers and their families (estimated to be as high as 300,000) lived and laboured once they reached the end of their diaspora in California, his home state.
What goes around comes around. For emotional urgency, evocative power, and sustained impact The Grapes of Wrath has few peers in American fiction. Seven decades later it has never been out of print and still sells by the carload.
To become a classic, it is often thought that a book needs to transcend its contemporary origins and remain untouched by subsequent history. But it is more accurate to think that a book becomes a classic precisely because it keeps being informed by the most recent historical developments. A literary classic speaks directly to readers' concerns in successive historical and cultural eras...
Read entire article at BBC
The Grapes of Wrath treats as a national epidemic the wave of widespread foreclosure, uprootedness, migration and homelessness caused by the double whammy of cataclysmic environmental and economic disasters.
The thirties was a decade of staggering unemployment in America - as high as 25% in 1933, and still hovering around 19% in 1938, the year in which Steinbeck set The Grapes of Wrath.
Steinbeck was not reticent about assigning part of the blame for the catastrophic conditions on the "Bank," the "Company," and the "State"; that is, to faceless, bloodless corporate, institutional, and bureaucratic organisations, so that his novel has an extremely hard, angry edge, though it offers no practical answers for a populace displaced by the shift from agricultural to industrial economies.
Steinbeck's partisanship was aided and abetted by his anger over the deplorable conditions under which migrant workers and their families (estimated to be as high as 300,000) lived and laboured once they reached the end of their diaspora in California, his home state.
What goes around comes around. For emotional urgency, evocative power, and sustained impact The Grapes of Wrath has few peers in American fiction. Seven decades later it has never been out of print and still sells by the carload.
To become a classic, it is often thought that a book needs to transcend its contemporary origins and remain untouched by subsequent history. But it is more accurate to think that a book becomes a classic precisely because it keeps being informed by the most recent historical developments. A literary classic speaks directly to readers' concerns in successive historical and cultural eras...