Is the controversial book, The Jewel of Medina, any good?
A romantic telling of the life of one of the wives of Islam's prophet has caused controversy among some Muslims - and its publication has been indefinitely postponed in the UK amid fears of a violent reaction. But is The Jewel of Medina actually any good? Blogger Shelina Zahra Janmohamed is one of the few people in Britain to have read it.
The Jewel of Medina is a chest-heaving, brassiere-busting book of outrageously tacky historical romantic fiction.
Some parts of the media are suggesting that this book is at the forefront of defending free speech. The author wants it to reach out to solve our global problems of intercultural dialogue. Between them they had me rolling around on the floor laughing.
The book claims to tell the story of Aisha, the wife of the Prophet Muhammad, through her own eyes, from the age of six, through adolescence and into adulthood. But although she lives through one of the most dramatic periods of history, the narrative conveys little of the enormity of the changes of the era, and of which Aisha was a huge part.
Sherry Jones, the author, says she wanted her book to be "at once a love story, a history lesson and a coming-of-age tale".
In order to do so, she fabricates a storyline about a lover, Safwan, whom Aisha runs away with - but then decides to leave and return to Muhammad.
But this invented plot dominates, leaving barely any room for the real history and importance of her story.
Read entire article at BBC
The Jewel of Medina is a chest-heaving, brassiere-busting book of outrageously tacky historical romantic fiction.
Some parts of the media are suggesting that this book is at the forefront of defending free speech. The author wants it to reach out to solve our global problems of intercultural dialogue. Between them they had me rolling around on the floor laughing.
The book claims to tell the story of Aisha, the wife of the Prophet Muhammad, through her own eyes, from the age of six, through adolescence and into adulthood. But although she lives through one of the most dramatic periods of history, the narrative conveys little of the enormity of the changes of the era, and of which Aisha was a huge part.
Sherry Jones, the author, says she wanted her book to be "at once a love story, a history lesson and a coming-of-age tale".
In order to do so, she fabricates a storyline about a lover, Safwan, whom Aisha runs away with - but then decides to leave and return to Muhammad.
But this invented plot dominates, leaving barely any room for the real history and importance of her story.