Asra Q. Nomani: You Still Can't Write About Muhammad
[Ms. Nomani, a former Wall Street Journal reporter, is the author of "Standing Alone: An American Woman's Struggle for the Soul of Islam"]
Starting in 2002, Spokane, Wash., journalist Sherry Jones toiled weekends on a racy historical novel about Aisha, the young wife of the prophet Muhammad. Ms. Jones learned Arabic, studied scholarly works about Aisha's life, and came to admire her protagonist as a woman of courage. When Random House bought her novel last year in a $100,000, two-book deal, she was ecstatic. This past spring, she began plans for an eight-city book tour after the Aug. 12 publication date of "The Jewel of Medina" -- a tale of lust, love and intrigue in the prophet's harem.
It's not going to happen: In May, Random House abruptly called off publication of the book. The series of events that torpedoed this novel are a window into how quickly fear stunts intelligent discourse about the Muslim world.
Random House feared the book would become a new "Satanic Verses," the Salman Rushdie novel of 1988 that led to death threats, riots and the murder of the book's Japanese translator, among other horrors. In an interview about Ms. Jones's novel, Thomas Perry, deputy publisher at Random House Publishing Group, said that it "disturbs us that we feel we cannot publish it right now." He said that after sending out advance copies of the novel, the company received "from credible and unrelated sources, cautionary advice not only that the publication of this book might be offensive to some in the Muslim community, but also that it could incite acts of violence by a small, radical segment."
After consulting security experts and Islam scholars, Mr. Perry said the company decided "to postpone publication for the safety of the author, employees of Random House, booksellers and anyone else who would be involved in distribution and sale of the novel."
This saga upsets me as a Muslim -- and as a writer who believes that fiction can bring Islamic history to life in a uniquely captivating and humanizing way. "I'm devastated," Ms. Jones told me after the book got spiked, adding, "I wanted to honor Aisha and all the wives of Muhammad by giving voice to them, remarkable women whose crucial roles in the shaping of Islam have so often been ignored -- silenced -- by historians." Last month, Ms. Jones signed a termination agreement with Random House, so her literary agent could shop the book to other publishers...
...On a May 21 conference call, Random House executive Elizabeth McGuire told the author and her agent that the publishing house had decided to indefinitely postpone publication of the novel for "fear of a possible terrorist threat from extremist Muslims" and concern for "the safety and security of the Random House building and employees."
All this saddens me. Literature moves civilizations forward, and Islam is no exception. There is in fact a tradition of historical fiction in Islam, including such works as "The Adventures of Amir Hamza," an epic on the life of Muhammad's uncle. Last year a 948-page English translation was published, ironically, by Random House. And, for all those who believe the life of the prophet Muhammad can't include stories of lust, anger and doubt, we need only read the Quran (18:110) where, it's said, God instructed Muhammad to tell others: "I am only a mortal like you."
Read entire article at WSJ
Starting in 2002, Spokane, Wash., journalist Sherry Jones toiled weekends on a racy historical novel about Aisha, the young wife of the prophet Muhammad. Ms. Jones learned Arabic, studied scholarly works about Aisha's life, and came to admire her protagonist as a woman of courage. When Random House bought her novel last year in a $100,000, two-book deal, she was ecstatic. This past spring, she began plans for an eight-city book tour after the Aug. 12 publication date of "The Jewel of Medina" -- a tale of lust, love and intrigue in the prophet's harem.
It's not going to happen: In May, Random House abruptly called off publication of the book. The series of events that torpedoed this novel are a window into how quickly fear stunts intelligent discourse about the Muslim world.
Random House feared the book would become a new "Satanic Verses," the Salman Rushdie novel of 1988 that led to death threats, riots and the murder of the book's Japanese translator, among other horrors. In an interview about Ms. Jones's novel, Thomas Perry, deputy publisher at Random House Publishing Group, said that it "disturbs us that we feel we cannot publish it right now." He said that after sending out advance copies of the novel, the company received "from credible and unrelated sources, cautionary advice not only that the publication of this book might be offensive to some in the Muslim community, but also that it could incite acts of violence by a small, radical segment."
After consulting security experts and Islam scholars, Mr. Perry said the company decided "to postpone publication for the safety of the author, employees of Random House, booksellers and anyone else who would be involved in distribution and sale of the novel."
This saga upsets me as a Muslim -- and as a writer who believes that fiction can bring Islamic history to life in a uniquely captivating and humanizing way. "I'm devastated," Ms. Jones told me after the book got spiked, adding, "I wanted to honor Aisha and all the wives of Muhammad by giving voice to them, remarkable women whose crucial roles in the shaping of Islam have so often been ignored -- silenced -- by historians." Last month, Ms. Jones signed a termination agreement with Random House, so her literary agent could shop the book to other publishers...
...On a May 21 conference call, Random House executive Elizabeth McGuire told the author and her agent that the publishing house had decided to indefinitely postpone publication of the novel for "fear of a possible terrorist threat from extremist Muslims" and concern for "the safety and security of the Random House building and employees."
All this saddens me. Literature moves civilizations forward, and Islam is no exception. There is in fact a tradition of historical fiction in Islam, including such works as "The Adventures of Amir Hamza," an epic on the life of Muhammad's uncle. Last year a 948-page English translation was published, ironically, by Random House. And, for all those who believe the life of the prophet Muhammad can't include stories of lust, anger and doubt, we need only read the Quran (18:110) where, it's said, God instructed Muhammad to tell others: "I am only a mortal like you."