Iraq, the Movie: Burned by portrayals of Vietnam, the Pentagon focuses on a new era of filmmakers

There's a war going on, and Army Lt. Col. J. Todd Breasseale has a mission.

But it's far removed from the captured Iraqi palace where he was once stationed. He fights his war now from an office on Wilshire Boulevard lined with movie posters chronicling conflicts real and imagined, from "Patton" to "War of the Worlds."

Breasseale's desk is piled high with scripts, each marked with his name and stamped "confidential." It's his job to help decide which movies should get Army help.

The mission is both harder and more important than it might appear.

After the Vietnam War, movies like "Apocalypse Now" and "Born on the Fourth of July" helped cement an image of psychologically damaged Vietnam veterans.

"In the '80s and early '90s, the Vietnam War vet was the 'other,' " Breasseale said. "Hollywood had created the crazy Nam vet."

For the Army, it was a bitter lesson.

With the country now enmeshed in another long, unpopular war, Breasseale is hoping to influence a new generation of filmmakers in order to avoid repeating the experience.

So far, Breasseale feels, most of the movies made about Iraq have really been about Vietnam.