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France's Gien clears tradition from the table

For generations, the French upper classes made leisurely weekend lunches in the gardens of their country homes a hallmark of the "art of living well." On languid afternoons, they arrayed long outdoor tables with platters and tart molds imprinted with family monograms and crests; dessert arrived on trays splashed with vivid portraits of animals, and coffee came in pots decorated with fruits and flowers.

And for the best families, only the glazed earthenware made in a factory in this town on the banks of the Loire River would do. The crockery, known as faience, was as much a discreet symbol of prestige and good taste in an aristocratic family as having "de" before a last name or a signet ring with the family crest passed down to a son when he turned 18.

But for the last few decades, the faience of Gien has also become a symbol of a lifestyle that is a vanishing art. Modern life just doesn't call for a dinner service that comes with 14 matching platters and covered tureens for soup, vegetables and sauces.

France still has more secondary homes than any other country in Europe, and by enforcing labor laws and federally mandated holidays, the French state makes sure people still have plenty of time to spend in the countryside. But while the grandes familles with their grandes maisons still have their land and titles, their wealth has been dwindling, and businesses they supported, from live-in tutors to handmade wallpaper, are diminished.

Read entire article at LAT