Did Da Vinci hide God's face in painting?
A new storm is brewing in the world of Da Vinci theorists after a mysterious group claimed it has used mirrors to uncover hidden biblical images in some of the great master’s most famous works.
In recent years, art history scholars have unveiled Templar knights, Mary Magdalene, a child and a musical script hidden in the Italian’s paintings.
It is well-documented that Da Vinci, who lived between 1452 and 1519, often wrote in mirror writing, either in an attempt to stop his rivals stealing his ideas or in a bid to hide his scientific theories, often deemed as subversive, from the powerful Roman Catholic Church.
But now a group known as The Mirror of the Sacred Scriptures and Paintings World Foundation believes that he applied the same technique to some of his best-known creations, including the Mona Lisa and the Last Supper, to conceal mysterious faces and religious symbols.
When applied to the sketch The Virgin and Child with Saint Anne and Saint John the Baptist, which hangs in London’s National Gallery, the authors say the mirror image reveals the ancient Old Testament god Jahveh, who "protects the soul of the body’s vices" and wears the Vatican’s crown.
Their theory would explain why many of Da Vinci’s characters seem to be pointing or staring into space, as if searching for the Divine....
Read entire article at Telegraph (UK)
In recent years, art history scholars have unveiled Templar knights, Mary Magdalene, a child and a musical script hidden in the Italian’s paintings.
It is well-documented that Da Vinci, who lived between 1452 and 1519, often wrote in mirror writing, either in an attempt to stop his rivals stealing his ideas or in a bid to hide his scientific theories, often deemed as subversive, from the powerful Roman Catholic Church.
But now a group known as The Mirror of the Sacred Scriptures and Paintings World Foundation believes that he applied the same technique to some of his best-known creations, including the Mona Lisa and the Last Supper, to conceal mysterious faces and religious symbols.
When applied to the sketch The Virgin and Child with Saint Anne and Saint John the Baptist, which hangs in London’s National Gallery, the authors say the mirror image reveals the ancient Old Testament god Jahveh, who "protects the soul of the body’s vices" and wears the Vatican’s crown.
Their theory would explain why many of Da Vinci’s characters seem to be pointing or staring into space, as if searching for the Divine....