Banished (Documentary about Jim Crow)
There are ghosts haunting Marco Williams’s quietly sorrowful documentary “Banished,” about the forced expulsion of black Southerners from their homes in the troubled and violent decades after the Civil War. Dressed in what looks like their Sunday best, in dark suits and high-collar dresses, they stare solemnly into an unwelcoming world. A couple ride in a cart along a pretty country road, and others stand awkwardly before houses with peeling paint. There are few smiles. Photography was then a serious business, though being a black landowner, part of a fragile, nascent Southern middle class, was more serious still.
It’s stunning how loudly the dead can speak, and with such eloquence. I couldn’t help comparing these images with those in one of my own photo albums of a large family of stern-looking Midwesterners dressed in what looks like their Sunday best. The rough, ill-fitting suits and somber dresses look similar to those in the documentary, and the simple clapboard house looming behind this family recalls comparable homes in “Banished.” There are, once again, few smiles, though in one photo my grandfather, then around 12, looks as if he’s trying to keep one in check.
Read entire article at NYT
It’s stunning how loudly the dead can speak, and with such eloquence. I couldn’t help comparing these images with those in one of my own photo albums of a large family of stern-looking Midwesterners dressed in what looks like their Sunday best. The rough, ill-fitting suits and somber dresses look similar to those in the documentary, and the simple clapboard house looming behind this family recalls comparable homes in “Banished.” There are, once again, few smiles, though in one photo my grandfather, then around 12, looks as if he’s trying to keep one in check.