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How real is 300? A Historian's Assessment

[Ephraim Lytle, assistant professor of hellenistic history at the University of Toronto.]

History is altered all the time. What matters is how and why. Thus I see no reason to quibble over the absence in 300 of breastplates or modest thigh-length tunics. I can see the graphic necessity of sculpted stomachs and three hundred Spartan-sized packages bulging in spandex thongs. On the other hand, the ways in which 300 selectively idealizes Spartan society are problematic, even disturbing.

We know little of King Leonidas, so creating a fictitious backstory for him is understandable. Spartan children were, indeed, taken from their mothers and given a martial education called the agoge. They were indeed toughened by beatings and dispatched into the countryside, forced to walk shoeless in winter and sleep uncovered on the ground. But future kings were exempt.

And had Leonidas undergone the agoge, he would have come of age not by slaying a wolf, but by murdering unarmed helots in a rite known as the Crypteia. These helots were the Greeks indigenous to Lakonia and Messenia, reduced to slavery by the tiny fraction of the population enjoying Spartan "freedom." By living off estates worked by helots, the Spartans could afford to be professional soldiers, although really they had no choice: securing a brutal apartheid state is a full-time job, to which end the Ephors were required to ritually declare war on the helots.

Elected annually, the five Ephors were Sparta's highest officials, their powers checking those of the dual kings. There is no evidence they opposed Leonidas' campaign, despite 300's subplot of Leonidas pursuing an illegal war to serve a higher good. For adolescents ready to graduate from the graphic novel to Ayn Rand, or vice-versa, the historical Leonidas would never suffice. They require a superman. And in the interests of portentous contrasts between good and evil, 300's Ephors are not only lecherous and corrupt, but also geriatric lepers. ...
Read entire article at Ephraim Lytle in the Toronto Star