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David Roediger: Interviewed about whiteness studies

David Roediger, professor of history at the University of Illinois at Urbana-Champaign, and a scholar of critical whiteness studies, delivered a talk titled "The Dilemmas of Popular Front Antiracism: Looking at The House I Live In" on November 17 at the Marxist School of Sacramento. After screening this WW II film that stars Frank Sinatra, Roediger discussed what it tells us about the limits of anti-racisms that imagine we can subordinate justice to unity. He connected the film to the themes of his recent book Working toward Whiteness: How America's Immigrants Became White. Roediger's research interests include race and class in the United States, and the history of U.S. radicalism. Among his books are Our Own Time: A History of American Labor and the Working Day (with Philip S. Foner), The Wages of Whiteness: Race and the Making of the American Working Class, Towards the Abolition of Whiteness, Colored White: Transcending the Racial Past, and History against Misery (Charles H. Kerr).

Seth: Your area of interest is critical whiteness studies. Please explain the term for those unfamiliar with it.

David: The areas in which I teach are working-class history and African-American Studies and at its best the critical study of whiteness often grows out of those areas. The critical examination of whiteness, academic and not, simply involves the effort to break through the illusion that whiteness is natural, biological, normal, and not crying out for explanation. Instead of accepting what James Baldwin called the "lie of whiteness," many people in lots of different fields and movement activities have tried to productively make it into a problem. When did (some) people come to define themselves as white? In what conditions? How does the lie of whiteness get reproduced? What are its costs politically, morally and culturally? Not surprisingly, thinkers from groups for whom whiteness was and is a problem have taken the lead in studying whiteness in this way. Such study began with slave folktales and American Indian stories of contact with whites. The work of such writers as Baldwin, Cheryl Harris, Ida B. Wells, Américo Paredes, W.E. B. Du Bois, Leslie Silko, and Toni Morrison has deepened such traditions. For radical white writers wishing to forge interracial movements of poor and working people, whiteness has also long been a problem, with Alexander Saxton and Ted Allen making especially full efforts to understand whiteness in order to disillusion whites unable to see past the value of their own skins.

Seth: What black author and scholar W.E.B. Du Bois called nearly a century ago "the color line" between whites and non-whites remains a force to reckon with in U.S. society. Where does the concept and practice of whiteness fit into this social process?



David: At about the same time of the famous "color line" quotation, Du Bois added that what he wonderfully called the idea of "personal whiteness" (Cheryl Harris would similarly refer to "whiteness as property") was not timeless or permanent or even very old. He argued that it had held sway less than 250 years of all human history. That would make it no more than 350 years old now and would place its origins, as Marx did, alongside the primitive accumulation of capital and especially the slave trade and the taking of Indian land. On this view whiteness is both materially rooted and a powerful ideology propping up the order which created it.

Seth: Some consider the New Deal era as a kind of golden age for liberalism in the U.S. How did New Deal policies affect the nation's skin color divide?

David: As I wrote Working toward Whiteness, I came to see one historic task on the New Deal -- and one in which it succeeded -- as the fostering of fuller U.S. citizenship among immigrants from southern and eastern Europe and their kids. But this very achievement separated poorer and often despised immigrant workers from Europe and workers of color in unprecedented ways. The New Deal never rethought the draconian racist immigration restriction policies of the 20s, of course, but its electoral base rested significantly on "ethnic" voters, whose activism was both hemmed in and rewarded by the Democrats. Southern and Eastern Europeans were included as secondary leaders of the new industrial unions, and as entitled citizens qualified for social security, unemployment compensation, and fair labor standards protections, even as workers of color were largely left out of key areas of the welfare state. This was critically true in the case of massive federal subsidies to (white) homeowners through the Home Owners Loan Corporations and the Federal Housing Authority.

Read entire article at Seth Sandronsky Interview with David Roediger at politicalaffairs.net