The Birth of ‘Rhapsody in Blue’Breaking News
tags: jazz, music history
George Gershwin’s “Rhapsody in Blue” turns 90 years old this week, and is barely showing its age. It remains as appealing and as fresh as it did at its 1924 premier, when it helped earn jazz a new degree of respect from America’s music critics.
Jazz was still quite young that year. It had only just emerged in the previous decade as African American composers began blending blues, folk music, popular ballads, and ragtime into a new musical form. For several years, jazz incubated in the juke joints, saloons, and nightclubs of New Orleans, building a following among the working classes and black community. Finally, in 1917, the Victor Talking Machine Company issued a recording of “Livery Stable Blues.” It was, many will argue, the first recording of jazz. It was also one of the first records to sell one million copies.
Despite the popularity of this, and the hundreds of jazz records that followed, jazz drew nothing but scorn from the voices of America’s cultural establishment: music critics, composers, conductors, and self-appointed moral guardians. But jazz became increasingly hard to ignore as young Americans were captivated by its bright, energetic sound. An entire generation, it seemed, was learning to play the saxophone, and the omniscient strains of the “Charleston” and “Black Bottom” were heard from urban night clubs to college campuses as the country entered its “Jazz Age.”...
comments powered by Disqus
- 1619 Project: New York Times Magazine Publishes Special Edition Dedicated to American Slavery and Its Legacies
- National Security Archive Releases New Briefing Book on Chernobyl through the Eyes of the Soviet Politburo, KGB, and U.S. Intelligence
- Before Trump eyed Greenland: Here’s what happened last time the US bought a large chunk of the Arctic
- Illinois Governor Signs Bill Mandating Public Schools Teach LGBTQ History
- Controversial Monument to Women’s Suffrage Redesigned to Include Sojourner Truth
- Historian Elizabeth Hinton Profiled in Harvard Magazine: Color and Incarceration
- 'Clearly, he did not take part in our curriculum': Historians bash Ken Cuccinelli's revised Statue of Liberty Poem
- The Increasing Popularity of Hotel Historians
- If You Call It History, You’ve Got to Do History’: Historians Chafe at a Video That Omitted Their University’s Whites-Only Origins
- Abraham Lincoln Presidential Library and Museum gets grants to help publish Abraham Lincoln papers