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'In a Starving, Bleeding, Captive Land'

I'm thoroughly enjoying Tony Judt's Postwar. "Enjoying" is really too small of a word. The art that sticks with me, the art I truly love, is the art in which I find a piece of myself. I think about Edith Wharton's The Age of Innocence a lot, because it a courageous work of art created by someone with the mental stamina to mount a conservative defense of the old order, by exploring all of that order's limitations. I hope to do something like that from time to time. I have opinions, and that's all well and good. But more interesting to me is the limits and implications of those opinions. I don't want to spend my time on earth performing, yelling "Look At Me" or "Confirm My Humanity, Please" in various tongues. I have problems of my own.

Read entire article at The Atlantic