Maureen Dowd: Blowin’ in the Idiot Wind
[Maureen Dowd is a columnist for the NYT.]
Bob Dylan may have done the impossible: broken creative new ground in selling out.
The idea that the raspy troubadour of ’60s freedom anthems would go to a dictatorship and not sing those anthems is a whole new kind of sellout — even worse than Beyoncé, Mariah and Usher collecting millions to croon to Qaddafi’s family, or Elton John raking in a fortune to serenade gay-bashers at Rush Limbaugh’s fourth wedding....
A 22-year-old Dylan did walk off “The Ed Sullivan Show” when CBS censors told him he couldn’t sing “Talkin’ John Birch Paranoid Blues.”
But he’s the first to admit he cashes in.
David Hajdu, the New Republic music critic, says the singer has always shown a tension between “not wanting to be a leader and wanting to be a celebrity.”
In Hajdu’s book, “Positively 4th Street,” Dylan is quoted saying that critics who charged that he’d sold out to rock ’n’ roll had it backward.
“I never saw myself as a folksinger,” he said. “They called me that if they wanted to. I didn’t care. I latched on, when I got to New York City, because I saw (what) a huge audience there was. I knew I wasn’t going to stay there. I knew it wasn’t my thing. ... I became interested in folk music because I had to make it somehow.”...
Read entire article at NYT
Bob Dylan may have done the impossible: broken creative new ground in selling out.
The idea that the raspy troubadour of ’60s freedom anthems would go to a dictatorship and not sing those anthems is a whole new kind of sellout — even worse than Beyoncé, Mariah and Usher collecting millions to croon to Qaddafi’s family, or Elton John raking in a fortune to serenade gay-bashers at Rush Limbaugh’s fourth wedding....
A 22-year-old Dylan did walk off “The Ed Sullivan Show” when CBS censors told him he couldn’t sing “Talkin’ John Birch Paranoid Blues.”
But he’s the first to admit he cashes in.
David Hajdu, the New Republic music critic, says the singer has always shown a tension between “not wanting to be a leader and wanting to be a celebrity.”
In Hajdu’s book, “Positively 4th Street,” Dylan is quoted saying that critics who charged that he’d sold out to rock ’n’ roll had it backward.
“I never saw myself as a folksinger,” he said. “They called me that if they wanted to. I didn’t care. I latched on, when I got to New York City, because I saw (what) a huge audience there was. I knew I wasn’t going to stay there. I knew it wasn’t my thing. ... I became interested in folk music because I had to make it somehow.”...