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Andrew Sullivan: Bill Donohue's World AIDS Day

[Andrew Sullivan is a columnist for The Atlantic.]

I got to see the extraordinary and powerful exhibit at the National Portrait Gallery, Hide/Seek, over a week ago. It's impressive, subtle and involving....

For me, the portraits from the era of AIDS, of mass death in the teeth of great hostility, fear and discrimination, struck home most powerfully. That is when I came of age as a homosexual man, and it is what necessarily soldered my heart to those of my brothers and sisters. It was an anguished and angry time, and few portrayed that as graphically as David Wojnarovicz. His self-portrait - his gaunt, dying face half buried in dust - brings back the cold, deathly panic of the time. And his 30 minute video, A Fire In My Belly", is a stream of visual consciousness about his dying, his grief at his friends' dying, his fear and his anger. It is disturbing, discordant, sexual and morbidly focused on death and stigmatization....

And it is this that has now been withdrawn from the exhibit because the Catholic League's blowhard, Bill Donohue, called the video - absurdly - something "designed to insult and inflict injury and assault the sensibilities of Christians," and John Boehner jumped when pulled by Donohue's string.

Well, I'm a Christian and far from feeling insulted or injured or assaulted, I saw something as raw as it was orthodox. The whole video incorporates the image of Jesus as a dying, tortured man like those with AIDS: "unclean" as the audio shrieks over the image, rejected, covered by insects. It splices that image with grotesque attempts to sew a loaf of bread back together, to sew a human being's lips back together, along with desperate images of fire and decay. We are looking at the hysterical images of a dying man suddenly surrounded by the dying, overcome by the attempt to sew life back together. To see a rejected Jesus left on the cross and on the ground to be covered by ants, is, in this context, clearly neither offensive nor heresy; it's orthodoxy, for Pete's sake, with the death of Jesus one of countless images of suffering and isolation....
Read entire article at The Atlantic