PBS Airing Documentary on Allied Bombing of Germany Monday Night
[Jonathan Tobin is executive editor of COMMENTARY.]
Tonight, PBS’s American Experience series will broadcast a new documentary titled The Bombing of Germany, about the strategic-bombing campaign carried out against the Nazis by American forces in World War II. Coming from the liberal-leaning PBS and in an era where denunciations of American military actions — even in the “good war” against Nazi Germany — have become commonplace, it would have been no surprise if this film was yet another revisionist attempt to decry Allied tactics as immoral. This impression is reinforced by the introduction to the film on PBS’s website, which highlights the number of German civilian casualties incurred by Allied bombing and the “defining moments that led the U.S. across a moral divide” that would make it easier to drop a nuclear bomb on Japan. Indeed, the narration heard during the opening moments of The Bombing of Germany goes straight to this conclusion when it says that by the time the war ended, the bombing left “both German cities and America’s lofty ideals in ruins.”...
It is telling that the documentary treats the achievement of air superiority over Normandy before the D-Day landings in France as the Allied Air Forces' greatest achievement. But it does not mention that both American and British air commanders bitterly resented being distracted from their plans to level Germany in order to support the landings by softening up military targets in France. But that is just the prelude to what the filmmakers and some of their consultants see as the moral turning point of the war for America — the bombings of Berlin and Dresden in February 1945 in which there was no pretense that the attack was anything but an attempt to destroy the city. The Dresden raid, immortalized in Kurt Vonnegut’s novel Slaughterhouse Five, has been widely represented by many American, English, and German historians as immoral because the beautiful medieval city was not considered a military target and heretofore had been spared the devastation that rained down on other German cities. It is here that author Don Miller, one of the prominent voices heard in the film, describes the raid as the crossing of “a moral threshold ... that we will not deliberately bomb civilians … once we crossed the moral divide in Berlin, it made everything else, including the atomic bomb, a little bit easier.”
The most devastating line of the film is its last, in which historian Conrad C. Crane, director of the U.S. Army Military History Institute, confronts the moral dilemma of killing civilians in a righteous war against an immoral opponent. While the question of the deaths of civilians is one we must ponder, Conrad insists, “The most unethical act for the Allies in World War II would have been allowing themselves to lose.”...
Read entire article at Commentary Magazine
Tonight, PBS’s American Experience series will broadcast a new documentary titled The Bombing of Germany, about the strategic-bombing campaign carried out against the Nazis by American forces in World War II. Coming from the liberal-leaning PBS and in an era where denunciations of American military actions — even in the “good war” against Nazi Germany — have become commonplace, it would have been no surprise if this film was yet another revisionist attempt to decry Allied tactics as immoral. This impression is reinforced by the introduction to the film on PBS’s website, which highlights the number of German civilian casualties incurred by Allied bombing and the “defining moments that led the U.S. across a moral divide” that would make it easier to drop a nuclear bomb on Japan. Indeed, the narration heard during the opening moments of The Bombing of Germany goes straight to this conclusion when it says that by the time the war ended, the bombing left “both German cities and America’s lofty ideals in ruins.”...
It is telling that the documentary treats the achievement of air superiority over Normandy before the D-Day landings in France as the Allied Air Forces' greatest achievement. But it does not mention that both American and British air commanders bitterly resented being distracted from their plans to level Germany in order to support the landings by softening up military targets in France. But that is just the prelude to what the filmmakers and some of their consultants see as the moral turning point of the war for America — the bombings of Berlin and Dresden in February 1945 in which there was no pretense that the attack was anything but an attempt to destroy the city. The Dresden raid, immortalized in Kurt Vonnegut’s novel Slaughterhouse Five, has been widely represented by many American, English, and German historians as immoral because the beautiful medieval city was not considered a military target and heretofore had been spared the devastation that rained down on other German cities. It is here that author Don Miller, one of the prominent voices heard in the film, describes the raid as the crossing of “a moral threshold ... that we will not deliberately bomb civilians … once we crossed the moral divide in Berlin, it made everything else, including the atomic bomb, a little bit easier.”
The most devastating line of the film is its last, in which historian Conrad C. Crane, director of the U.S. Army Military History Institute, confronts the moral dilemma of killing civilians in a righteous war against an immoral opponent. While the question of the deaths of civilians is one we must ponder, Conrad insists, “The most unethical act for the Allies in World War II would have been allowing themselves to lose.”...