With support from the University of Richmond

History News Network puts current events into historical perspective. Subscribe to our newsletter for new perspectives on the ways history continues to resonate in the present. Explore our archive of thousands of original op-eds and curated stories from around the web. Join us to learn more about the past, now.

The Day Obscenity Became Art

TODAY is the 50th anniversary of the court ruling that overturned America’s obscenity laws, setting off an explosion of free speech — and also, in retrospect, splashing cold water on the idea, much discussed during Sonia Sotomayor’s Supreme Court confirmation hearings, that judges are “umpires” rather than agents of social change.

The historic case began on May 15, 1959, when Barney Rosset, the publisher of Grove Press, sued the Post Office for confiscating copies of the uncensored version of D. H. Lawrence’s 1928 novel “Lady Chatterley’s Lover,” which had long been banned for its graphic sex scenes.

Most lawyers of the time would have advised Mr. Rosset that he had a weak case. Back in 1873, Anthony Comstock, the former postal inspector who founded the New York Society for the Suppression of Vice, had persuaded Congress to pass a law outlawing obscenity, which state and federal courts came to define over the decades as works that “community standards” would regard as “lustful,” “lewd,” “lascivious” or “prurient.”

As recently as 1957, the Supreme Court had ruled in Roth v. United States — a case involving a bookseller who sent erotic literature through the mail — that the First Amendment’s guarantees of free speech did not apply to obscenity. The case against “Lady Chatterley’s Lover” seemed cut and dry; whatever the book’s literary merits, it met the legal definition of obscenity.

However, Mr. Rosset hired a lawyer named Charles Rembar, whom he’d met playing tennis in the Hamptons. Rembar had never argued a case in court but was an adviser to several writers, including his cousin Norman Mailer. (When Mailer wrote “The Naked and the Dead,” his career-sparking World War II novel, Rembar advised him to avoid legal controversy by spelling his characters’ most common utterance “fug.” The trick worked.)

Looking over the Roth decision, Rembar spotted a loophole. The opinion, written by Justice William J. Brennan, noted that the First Amendment’s purpose was “to assure unfettered interchange of ideas” and that “all ideas having even the slightest redeeming social importance — unorthodox ideas, controversial ideas, even ideas hateful to the prevailing climate of opinion — have the full protection of the guarantees.” But, Brennan went on, “implicit in the history of the First Amendment is the rejection of obscenity as utterly without redeeming social importance.”...
Read entire article at Fred Kaplan in the NYT