Originally published 01/23/2013
Jamie Foxx as Django Freeman in Django Unchained.No one could possibly mistake Quentin Tarantino for William Lloyd Garrison, but the director's Django Unchained nevertheless belongs to the tradition of antebellum white abolitionism. The film powerfully evokes a South, and a people, entirely under the sway of slaveholders' sadistic passions. This intellectual lineage explains why its depiction of slavery is so potent, and so wrong.
- Egyptian ‘Mona Lisa’ A Fake
- The Story Behind ‘Woman in Gold’: Nazi Art Thieves and One Painting’s Return
- Scott Walker, Allergic to Dogs, May Run Against Political History
- Russian History Receives a Makeover That Starts With Ivan the Terrible
- Parsing Ronald Reagan’s Words for Early Signs of Alzheimer’s
- Joan Waugh on Grant's and Lee's 'gentlemen's agreement' ending the Civil War
- Charlatan or Sage? Contested Legacy of the late Dr. Ben, a Father of African Studies
- Historians make it easy for visitors to DC to understand the history of the Mall
- History's Grandin Wins Bancroft Prize for "The Empire of Necessity"
- Nobel prize-winning scientist writes a history of science