Originally published 01/22/2013
Jon Wiener teaches US history at UC Irvine and is a contributing editor for "The Nation."A Rembrandt portrait that had been protected by Columbia student protesters in 1968 and later sold by Columbia for $1 million is back on the market this year, with a price tag of $47 million. The story of the 1658 painting, Man with Arms Akimbo, has many lessons, starting with the folly of universities selling art to make money.When radical students at Columbia occupied several buildings, including Low Library, the administration building, in May 1968 to protest university complicity in the Vietnam War, the painting hung in the office of then president Grayson Kirk. According to The New York Times, the student occupiers agreed to allow police to remove the painting to protect it.Student radicals in 1968 were criticized as barbarians out to destroy the university and all that it stood for. But the students at Columbia protected the university’s Rembrandt—and then the university put it in storage, and sold it in 1975 in a secret transaction with a private collector. A painting that should have been on display disappeared from public view for the next forty years—in exchange for which the university got $1 million. So who were the real barbarians?...
- 159 scholars at Harvard sign petition reprimanding the school for rejections of Chelsea Manning and Michelle Jones
- Fact Check: Steve Bannon’s Bad History
- The Story Behind the Truman Quote in President Trump's U.N. Speech
- As Trump Declares Missing in Action Recognition Day, How Many Service Members Are Missing?
- The ‘nation’s report card’ says it assesses critical thinking in history
- Eric Foner discusses the manipulation of history
- Male historian tapped to lead Department of Women, Gender and Sexuality Studies at the University of Kansas
- Decline in History Majors Continues, Departments Respond
- He’s 75 now. When he started teaching at the University of New Orleans students walked out on his class.
- ‘Fake news’ from 1738 offers lessons for modern historians, says Missouri scholar