Originally published 07/09/2013
Noah Gittell is the editor of ReelChange.net, where he writes about film, politics, and culture. He is a former independent filmmaker and political-campaign staffer. ...In discussing the progressive politics of The Lone Ranger, most critics have focused on the depiction of Native Americans, and with good reason. Over the history of the American Western, Native Americans have often been depicted as faceless savages whose efforts to defend themselves were merely obstacles to America's Manifest Destiny. Some cinematic efforts have been made to subvert this convention (The Searchers and Dances with Wolves are probably the most famous examples), but The Lone Ranger takes things a step further, making Tonto and John Reid (who will become the eponymous hero) dual protagonists. There is room for debate on this; some critics still feel that Depp's performance, with its use of "red face" and halted speaking style, is dehumanizing, but the increased role for Tonto is at least a step in the right direction.
- Did Salmonella Kill Off the Aztecs?
- Jewish history is under siege in the middle east and these volunteers are risking their lives to protect it
- 'Amazon should stop selling Holocaust denial books'
- National Museum of African American History and Culture Reaches Milestone of 1 Million Visitors
- What Makes a President Great? Clipping? Sipping? Slashing?
- McMaster knows how national security policy can go wrong. Will that help him?
- Historian and Antiwar Activist Marilyn Young Dies at 79
- Trump Chooses Historian H.R. McMaster as National Security Adviser
- Holocaust Historian Deborah Lipstadt Explains Why People Believe Trump's Lies
- Princeton’s Harold James warns World War Three is now a "serious threat”