SOURCE: The Atlantic
Noah Gittell is the editor of ReelChange.net, where he writes about film, politics, and culture. He is a former independent filmmaker and political-campaign staffer. ...In discussing the progressive politics of The Lone Ranger, most critics have focused on the depiction of Native Americans, and with good reason. Over the history of the American Western, Native Americans have often been depicted as faceless savages whose efforts to defend themselves were merely obstacles to America's Manifest Destiny. Some cinematic efforts have been made to subvert this convention (The Searchers and Dances with Wolves are probably the most famous examples), but The Lone Ranger takes things a step further, making Tonto and John Reid (who will become the eponymous hero) dual protagonists. There is room for debate on this; some critics still feel that Depp's performance, with its use of "red face" and halted speaking style, is dehumanizing, but the increased role for Tonto is at least a step in the right direction.
- When Jim Crow Reigned Amid the Rubble of Nazi Germany
- Why Suburban American Homeowners Were Accused of Being a 'Profit-Making Cartel' in the 1970s
- Animals large and small once covered North America’s prairies – and in some places, they could again
- Library of Congress acquires major archive of African American photographer Shawn Walker
- A farm boy became a fearsome warrior at Iwo Jima. And he did it with a flamethrower.
- Trump and the Christians: Evangelical historian John Fea on decoding the great paradox
- Six historians weigh in on the biggest misconceptions about black history
- Renowned presidential historian Doris Kearns Goodwin finally takes on George Washington
- Legal Historian Jed Shugerman Says William Barr's Actions Are "Remarkably Not Normal"
- Historian Ruth Ben-Ghiat Quoted in Washington Post Article on Trump's Quest to Rewrite History