Originally published 07/09/2013
Noah Gittell is the editor of ReelChange.net, where he writes about film, politics, and culture. He is a former independent filmmaker and political-campaign staffer. ...In discussing the progressive politics of The Lone Ranger, most critics have focused on the depiction of Native Americans, and with good reason. Over the history of the American Western, Native Americans have often been depicted as faceless savages whose efforts to defend themselves were merely obstacles to America's Manifest Destiny. Some cinematic efforts have been made to subvert this convention (The Searchers and Dances with Wolves are probably the most famous examples), but The Lone Ranger takes things a step further, making Tonto and John Reid (who will become the eponymous hero) dual protagonists. There is room for debate on this; some critics still feel that Depp's performance, with its use of "red face" and halted speaking style, is dehumanizing, but the increased role for Tonto is at least a step in the right direction.
- Historians at loggerheads over the AP standards
- Bettany Hughes interview: The historian on how Socrates would have solved Greece's problems
- U.K. Released Hundreds of Nazis After the Holocaust, Says Leading Historian
- NYT History Book Reviews: Who Got Noticed this Week?