Originally published 07/09/2013
Noah Gittell is the editor of ReelChange.net, where he writes about film, politics, and culture. He is a former independent filmmaker and political-campaign staffer. ...In discussing the progressive politics of The Lone Ranger, most critics have focused on the depiction of Native Americans, and with good reason. Over the history of the American Western, Native Americans have often been depicted as faceless savages whose efforts to defend themselves were merely obstacles to America's Manifest Destiny. Some cinematic efforts have been made to subvert this convention (The Searchers and Dances with Wolves are probably the most famous examples), but The Lone Ranger takes things a step further, making Tonto and John Reid (who will become the eponymous hero) dual protagonists. There is room for debate on this; some critics still feel that Depp's performance, with its use of "red face" and halted speaking style, is dehumanizing, but the increased role for Tonto is at least a step in the right direction.
- Ben Carson used an apparently fake Joseph Stalin quote — and the Internet loved it
- Rubio exaggerates in saying it's been 80 years since a 'lame duck' made a Supreme Court nomination
- Humans Hard-Wired to Teach, Anthropologist Says
- Parents outraged after students shown ‘white guilt’ cartoon for Black History Month
- Maryland is once again considering retiring its state song
- Historian at the center of Sanders-Clinton debate
- James Loewen Says Additional Baltimore Confederate Statues Should be Removed
- NYT History Book Reviews: Who Got Noticed this Week?
- A historian’s advice to students thinking of getting a PhD in a tough economic climate
- German historian Heinz Richter cleared of charges