Originally published 08/25/2014
Novels can reinforce history.
Originally published 06/02/2013
Steve Hochstadt: Review of Lawrence S. Wittner's "What's Going On at UAardvark?" (Solidarity Press, 2013)
Steve Hochstadt teaches at Illinois College and blogs for HNN.What if the trend toward commercialization of higher education continued and accelerated? What would the fully commercial university look like? Lawrence Wittner presents UAardvark: every building named after a corporation; TV sets that can’t be turned off, broadcasting commercials in classrooms, dorms, and offices; and a president negotiating to store radioactive waste in the New Technology Center.Wittner taught history for thirty-six years at the State University of New York at Albany, and has widely published on peace movements and nuclear disarmament. His recent memoir, Working for Peace and Justice, identifies him as an activist intellectual; he serves on the national board of Peace Action. This is his first novel.
Originally published 01/15/2013
The mysterious femme fatale. The tough private eye who seeks justice at any cost. The rare object worth killing for. Dashiell Hammett coined all of these classic elements of noir fiction with his 1930 breakthrough novel The Maltese Falcon. But how did Hammett dream up this dark, new world of literature? By writing from experience.In the 1920s, American fiction desperately needed its own private detective. It was overrun with Sherlock Holmes imitators–erudite puzzle solvers who refused to get their hands dirty. Enter Dashiell Hammett, a former private investigator turned writer. In The Maltese Falcon, Hammett took the detective out of the drawing room, dumped him in a dark alley and created an American classic in the process.Lauded upon publication for its lean prose and how it captured the sex and violence of urban America, The Maltese Falcon has soared to greater critical heights with each passing decade. Hammett’s descendant Raymond Chandler praised the book for “scenes that seemed never to have been written before.” And Ross McDonald called it “the greatest mystery novel ever.”
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