Originally published 02/13/2013
One of the curiosities of the current Academy Award season is that Australia was competing in the best foreign-language film category with a German-language film. Cate Shortland’s “Lore,” a drama about the waning days of World War II, did not pick up a nomination, but it has created a stir everywhere it’s been shown, winning audience awards at festivals on its way to opening in New York on Friday.“Lore,” based on one of the novellas in Rachel Seiffert’s three-part “The Dark Room,” is the story of five young brothers and sisters forced to make their way alone across 500 miles of war-scarred territory to their grandmother’s house after their parents, staunch Nazis, are arrested by Allied troops. During that journey, the title character, a 15-year-old girl, and her siblings meet a young concentration camp survivor, also in flight, who both protects and exploits them....
Originally published 07/26/2010
One month ago, I incurred the wrath of Oliver Stone for stating the obvious in an article I wrote: his new movie South of the Border, ostensibly a “documentary” about Venezuelan president Hugo Chavez and a group of supposedly like-minded South American colleagues, is so riddled with errors, misrepresentations, fabrications and fraudulent statistics as to be useless except as an example of over-the-top propaganda. At the screening for the movie that I attended, I counted more than two dozen assertions that are demonstrably incorrect, but chose, in the limited space available to me, to focus on but a handful.
- NYT History Book Reviews: Who Got Noticed this Week?
- Researchers have discovered a previously unknown 149-page manuscript defending homosexuality.
- What Counts as Historical Evidence? The Fracas over John Stauffer’s Black Confederates
- Harvard’s Drew Faust says the Civil War marked the start of large-scale industrial war, not WW I