Originally published 07/17/2013
A Romanian museum is analysing ashes found in a stove to see if they are the remains of seven paintings by Picasso, Matisse, Monet and others that were stolen last year from the Netherlands, an official has said.The prosecutor's spokeswoman, Gabriela Chiru, told Associated Press that Romania's National History Museum was examining the ashes found in the stove of Olga Dogaru. She is the mother of Radu Dogaru, one of three Romanian suspects charged with stealing the paintings from Rotterdam's Kunsthal gallery in a daytime heist.It was the biggest art theft in more than a decade in the Netherlands. The stolen works have an estimated value of tens of millions of dollars if they were sold at auction....
Originally published 02/12/2013
Pablo Picasso, famous for pushing the boundaries of art with cubism, also broke with convention when it came to paint, new research shows. X-ray analysis of some of the painter's masterworks solves a long-standing mystery about the type of paint the artist used on his canvases, revealing it to be basic house paint.Art scholars had long suspected Picasso was one of the first master artists to employ house paint, rather than traditional artists' paint, to achieve a glossy style that hid brush marks. There was no absolute confirmation of this, however, until now.Physicists at Argonne National Laboratory in Lemont, Ill., trained their hard X-ray nanoprobe at Picasso's painting "The Red Armchair," completed in 1931, which they borrowed from the Art Institute of Chicago. The nanoprobe instrument can "see" details down to the level of individual pigment particles, revealing the arrangement of particular chemical elements in the paint....
- Historian author Antony Beevor says his new World War 2 book may anger Americans
- Ron Radosh and Allis Radosh plan to defend Warren Harding in a new book
- Historians tackle America’s mass incarceration problem
- Report: Russian studies in crisis
- Ken Burns: Donald Trump’s birtherism — a “politer way of saying the ‘N-word'” — proves America isn’t remotely “post-racial”