L.B.J., Civil Rights and Dramatic License
“All the Way,” the hit play about Lyndon B. Johnson’s first year in office that’s now in previews on Broadway, revels in the historical details of Washington politics, with large chunks of dialogue taken directly from the Congressional Record and Johnson’s voluminous phone transcripts.
But as close readers of Robert Caro or Taylor Branch will notice, the play sometimes veers wildly from the historical record it is trying to bring to life.
Several scenes, for example, feature Stokely
Carmichael as the voice of radical black youth within the Rev. Dr.
Martin Luther King Jr.’s inner circle — even though, in 1964, it was
John Lewis who played that role (Mr. Carmichael, who later changed his
name to Kwame Ture, didn’t depose Mr. Lewis as the head of the Student
Nonviolent Coordinating Committee until 1966).
Likewise, the playwright, Robert Schenkkan, has Johnson weaken the voting rights provisions in the Civil Rights Act to make it more palatable to Southern Democrats. This never happened: the provisions were weak to begin with, but Johnson never touched them....
comments powered by Disqus
- How the Vikings Saved Europe and Got a Terrible Reputation
- Hard Hats On: Members of the Media Tour Exhibits under Construction at the National Museum of American History
- Shaman dancers, coolies and suffragettes: rare photos of 1900s Beijing discovered from Austrian archive
- England's King Richard III died painfully on battlefield
- 93-year-old former Auschwitz guard charged
- Pro-Israel groups going after federal support of Middle East Studies
- 100th Anniversary of Beard's 'An Economic Interpretation of the Constitution' commemorated
- University of Illinois Bigwig to Native American Studies scholar Jean O’Brien: Drop Dead
- 2 of 21 MacArthur Fellows for 2014 are historians
- Ken Burns electrifies Jon Stewart show