L.B.J., Civil Rights and Dramatic License
“All the Way,” the hit play about Lyndon B. Johnson’s first year in office that’s now in previews on Broadway, revels in the historical details of Washington politics, with large chunks of dialogue taken directly from the Congressional Record and Johnson’s voluminous phone transcripts.
But as close readers of Robert Caro or Taylor Branch will notice, the play sometimes veers wildly from the historical record it is trying to bring to life.
Several scenes, for example, feature Stokely
Carmichael as the voice of radical black youth within the Rev. Dr.
Martin Luther King Jr.’s inner circle — even though, in 1964, it was
John Lewis who played that role (Mr. Carmichael, who later changed his
name to Kwame Ture, didn’t depose Mr. Lewis as the head of the Student
Nonviolent Coordinating Committee until 1966).
Likewise, the playwright, Robert Schenkkan, has Johnson weaken the voting rights provisions in the Civil Rights Act to make it more palatable to Southern Democrats. This never happened: the provisions were weak to begin with, but Johnson never touched them....
comments powered by Disqus
- Florida professor to burn Confederate flag
- Could another English king be buried under a parking lot?
- Huckabee says archaeology supports the Bible
- George W. Bush's CIA Briefer: Bush and Cheney Falsely Presented WMD Intelligence to Public
- Unfinished film about the Holocaust made in 1945 to finally be seen by audiences
- Daniel Pipes calls the rulers of Iran "madmen" on official Iranian TV
- A Professor Tries to Beat Back a News Spoof That Won’t Go Away
- NYT History Book Reviews: Who Got Noticed this Week?
- Sean Wilentz is being called “Hillary’s Historian"
- Hundreds of British historians challenge assumptions of “Historians for Britain” campaign