Greek antiques periled by austerity
KYTHIRA, Greece — A jarring public-awareness ad that has appeared recently on Greek television news shows a little girl strolling with her mother through the National Archaeological Museum in Athens, one of the country’s cultural crown jewels. The girl skips off by herself, and as she stands alone before a 2,500-year-old marble statue, a hand suddenly sweeps in from behind, covering her mouth and yanking her away.
An instant later, she reappears, apparently unharmed but staring forlornly at an empty plinth: The kidnappers weren’t after the girl — they were after the statue.
The ad, produced by the Association of Greek Archaeologists, is most immediately a reminder of an armed robbery of dozens of artifacts from a museum in Olympia in February, amid persistent security shortcomings at museums across the country. But the campaign’s central message — “Monuments have no voice. They must have yours” — is a much broader attack on deep cultural budget cuts being made as part of the austerity measures imposed on Greece by the European economic establishment, measures that have led in recent weeks to an electoral crisis, a caretaker government and the specter of Greece’s departure from the euro zone....
comments powered by Disqus
- David Rosand, an Art History Scholar Whose Heart Was in Venice, Dies at 75
- NYT interviews Rick Perlstein about his book
- OAH issues a statement in support of the AP standards
- Daniel Pipes says in interview that the absence of anti-Israel protests in Muslim countries is highly significant
- A historian who studies China has discovered an overlooked angle in the debate about the Middle East. Could he have figured out a key reason for Iraq’s failure to defeat ISIS?