Finding the Humanity in the F.B.I.’s Feared EnforcerRoundup: Pop Culture & the Arts ... Movies, Documentaries and Museum Exhibits
Even with all the surprises that have characterized Clint Eastwood’s twilight film years, with their crepuscular tales of good and evil, the tenderness of the love story in “J. Edgar” comes as a shock. Anchored by a forceful, vulnerable Leonardo DiCaprio, who lays bare J. Edgar Hoover’s humanity, despite the odds and an impasto of old-coot movie makeup, this latest jolt from Mr. Eastwood is a look back at a man divided and of the ties that bind private bodies with public politics and policies. With sympathy — for the individual, not his deeds — it portrays a 20th-century titan who, with secrets and bullets, a will to power and the self-promotional skills of a true star, built a citadel of information in which he burrowed deep.
To find the man hiding in plain sight, Mr. Eastwood, working from a smart script by Dustin Lance Black (“Milk”), takes a dynamic approach to history (even as it speaks to contemporary times), primarily by toggling between Hoover’s early and later years, his personal and public lives, while the director of the Federal Bureau of Investigation. The film opens in the early 1960s with a shot of the Justice Department building, the original home of the bureau, establishing the location, as well as the idea that this is also the story of an institution. As Hoover croaks in the voice-over (“Communism is not a political party — it is a disease”), the scene shifts inside, where the camera scans the death mask he kept of John Dillinger, former Public Enemy No. 1, and then stops on Hoover’s pale face: a sagging facade....
comments powered by Disqus
- Rubio Surges Into Second In New Hampshire
- Branstad Says Cruz Ran ‘Unethical’ Campaign
- Christie Highlights Santorum’s Endorsement of Rubio
- Portman Comes Out Against Trade Deal
- Megyn Kelly Gets a Book Deal
- A Big List of the Bad Things Clinton Has Done
- An Unambiguous Sign Sanders Won Last Night’s Debate
- Still Friends at the End
- Quote of the Day
- Trump Still Leads as Clinton Slips
- Clinton Can’t Shake Image as Wall Street’s Friend
- Maddow Doesn’t See Sanders Winning
- Why Does the Media Still Shield Chelsea Clinton?
- Bush Jokes His Mother May Have Abused Him
- Rubio Closes the Gap in New Hampshire
- Tourism spot for Colonial Williamsburg shocks some New Yorkers during Super Bowl 50 for use of 9/11 attack footage
- We asked 6 political scientists if Bernie Sanders would have a shot in a general election
- The price of oil has plummeted and with it Russia’s finances
- Legal scholars at Harvard debate Cruz’s eligibility to serve as president
- Has one of Sally Hemings’s siblings been neglected by history unfairly?
- Retired historian George Dennison remains on the payroll at the U. of Montana while faculty are cut
- The Atlantic profiles exciting ways to teach history
- LDS Church has gone from 0 to 4 historians specializing in women’s history
- American Historical Association protests Turkey’s crackdown on historians and other academics who signed a a petition critical of the Turkish government
- Israeli historian Yair Auron lays out details of a massacre in 1948